The art and science of digital compositing techniques for visual effects, animation and motion graphics

*The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images!At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is...

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Bibliographic Details
Main Author: Brinkmann, Ron
Format: eBook
Language:English
Published: Amsterdam Morgan Kaufmann Publishers/Elsevier 2008
Edition:2nd ed
Subjects:
Online Access:
Collection: O'Reilly - Collection details see MPG.ReNa
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505 0 |a Includes bibliographical references (pages 627-630) and index 
505 0 |a Front Cover; The Art and Science of Digital Compositing: Techniques for Visual Effects, Animation and Motion Graphics; Copyright Page; Contents; Introduction to the Second Edition; Chapter 1 Introduction to Digital Compositing; Chapter 2 Learning to See; Chapter 3 The Digital Representation of Visual Information; Chapter 4 Basic Image Manipulation; Chapter 5 Basic Image Compositing; Chapter 6 Matte Creation and Manipulation; Chapter 7 Time and Temporal Manipulations; Chapter 8 Image Tracking and Stabilization; Chapter 9 Interface Interactions 
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520 |a *The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images!At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is detailed with hundreds of secrets that will help make your comps seamless. For beginners or experts, Ron walks you through the processes of analysis and workflows - linear thinking which will help you become deft and successfully tackle any shot. - Dennis Muren ASC, Senior Visual Effects Supervisor