Music, Language, Speech and Brain Proceedings of an International Symposium at the Wenner-Gren Center, Stockholm, 5–8 September 1990
Speech/language and music are the two main forms of systematic human communication using acoustic signals. This implies that there are interesting and thought-provoking parallels between these areas, which may contribute towards our understanding of the processing and perception of auditory signals....
Other Authors: | , , , |
---|---|
Format: | eBook |
Language: | English |
Published: |
London
Macmillan Education UK
1991, 1991
|
Edition: | 1st ed. 1991 |
Subjects: | |
Online Access: | |
Collection: | Springer Book Archives -2004 - Collection details see MPG.ReNa |
Table of Contents:
- Music and the Phonological Principle: Remarks from the Phonetician's Bench; J.B.Pierrehumbert
- Emotion Expression in Speech and Music; K.R.Scherer
- Linguistic Rhythm and Speech Segmentation; A.Cutler
- Summary and Discussion of Speech Performance; G.Bruce
- Music Performance Research: An Overview; J.Sundberg
- Expression and Communication in Musical Performance; E.F.Clarke
- Recent Work in Real-Time Music Understanding by Computer; R.B.Dannenberg
- Context-dependent Intonation Variants of Melodic Intervals; A.Rakowski
- Summary and Discussion of Music Performance; A.Gabrielsson
- PART 3 VOICE AND INSTRUMENTS
- Analogies in the Production of Speech and Music; J.Liljencrants
- The Human Voice as a Biological Musical Instrument; I.R.Titze
- Voices and Strings: Close Cousins or Not?; A.Askenfelt
- PART 4 COGNITIVE AND PERCEPTUAL ASPECTS
- Some Cognitive and Perceptual Aspects of Speech and Music; B.H.Repp
- Melodic Structure: Theoretical and Empirical Descriptions; C.L.Krumhansl
- Using Brief Glimpses to Decompose Mixtures; A.S.Bregman
- Lexical Alignment and Activation in Spoken Word Recognition; U.H.Frauenfelder
- Summary and Discussion of Cognitive and Perceptual Aspects; B.Lindblom
- PART 5 NEUROPHYSIOLOGICAL ASPECTS
- Neurophysiology of Brain Function: An Overview; H.W.Gordon & K.Bellamy
- EEG Studies in the Perception of Simple and Complex Rhythms; H.Petsche et al
- Prosody, Musical Rhythm, Tone Pitch and Response Initiation During Amytal Hemisphere Anaesthesia; H.M.Borchgrevink
- The 'Composition' of Thought and Behaviour; A.Wirsen
- Cognitive and Brain Mechanisms in Perceptual Learning; J.J.Bharucha
- Expressive Performance with Electronic Instruments; M.V.Mathews
- PART 6 SPEECH AND MUSIC COMBINED
- Speech and Music Combined: An Overview; J-C.Risset
- Stress Patterns and Rhythm in the Reading of Prose and Poetry with Apologies to Music Performance; G.Fant et al
- PART 1 DESCRIPTIONS OF MUSIC AND LANGUAGE
- Knowledge of Language and the Sounds of Speech; M.Halle & K.N.Stevens
- Structure and Association in Descriptions of Music, with a Coda on Linguistic Analogies; W.Slawson
- Some Lines of Poetry Viewed as Music; F.Lerdahl & J.Halle
- The Melodic Structures of Music and Speech: Applications and Dimensions of the Implication-Realization Model; E.Narmour
- Magritte, Music and Methods of Language Description; B.Sigurd
- Invariance in the Linguistic Expression, with Digressions into Music; J.Rischel
- Durationally Specified Intonation in English and Bengali; B.Hayes & A.Lahiri
- Summary and Discussion of Descriptions of Music and Language; O.Fujimura
- PART 2 SPEECH AND MUSIC PERFORMANCE
- Speech Research: An Overview; I.Lehiste
- Rhythm, Accentuation and Final Lengthening in French; J.Vaissiere
- Performance Rules in a Text-to-Speech System; R.Carlson & B.Granstrom
- The Relationship of Text and Tune in Chinese Opera; B.Yung
- Interrelationships between Verbal and Musical Grammars; M.Baroni
- Speech and Discussion of Speech and Music Combined; J.Rischel
- Comments on the Symposium; J.Rischel
- Summary; J.Sundberg
- List of Sound Examples
- Index