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160203 ||| eng |
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|a 9781349126705
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| 100 |
1 |
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|a Carlson, Rolf
|e [editor]
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| 245 |
0 |
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|a Music, Language, Speech and Brain
|h Elektronische Ressource
|b Proceedings of an International Symposium at the Wenner-Gren Center, Stockholm, 5–8 September 1990
|c edited by Rolf Carlson, Lennart Nord, David Ottoson, Johan Sundberg
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| 250 |
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|a 1st ed. 1991
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| 260 |
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|a London
|b Macmillan Education UK
|c 1991, 1991
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| 300 |
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|a XVI, 468 p
|b online resource
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| 505 |
0 |
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|a Music and the Phonological Principle: Remarks from the Phonetician's Bench; J.B.Pierrehumbert -- Emotion Expression in Speech and Music; K.R.Scherer -- Linguistic Rhythm and Speech Segmentation; A.Cutler -- Summary and Discussion of Speech Performance; G.Bruce -- Music Performance Research: An Overview; J.Sundberg -- Expression and Communication in Musical Performance; E.F.Clarke -- Recent Work in Real-Time Music Understanding by Computer; R.B.Dannenberg -- Context-dependent Intonation Variants of Melodic Intervals; A.Rakowski -- Summary and Discussion of Music Performance; A.Gabrielsson -- PART 3 VOICE AND INSTRUMENTS -- Analogies in the Production of Speech and Music; J.Liljencrants -- The Human Voice as a Biological Musical Instrument; I.R.Titze -- Voices and Strings: Close Cousins or Not?; A.Askenfelt -- PART 4 COGNITIVE AND PERCEPTUAL ASPECTS -- Some Cognitive and Perceptual Aspects of Speech and Music; B.H.Repp --
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| 505 |
0 |
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|a Melodic Structure: Theoretical and Empirical Descriptions; C.L.Krumhansl -- Using Brief Glimpses to Decompose Mixtures; A.S.Bregman -- Lexical Alignment and Activation in Spoken Word Recognition; U.H.Frauenfelder -- Summary and Discussion of Cognitive and Perceptual Aspects; B.Lindblom -- PART 5 NEUROPHYSIOLOGICAL ASPECTS -- Neurophysiology of Brain Function: An Overview; H.W.Gordon & K.Bellamy -- EEG Studies in the Perception of Simple and Complex Rhythms; H.Petsche et al -- Prosody, Musical Rhythm, Tone Pitch and Response Initiation During Amytal Hemisphere Anaesthesia; H.M.Borchgrevink -- The 'Composition' of Thought and Behaviour; A.Wirsen -- Cognitive and Brain Mechanisms in Perceptual Learning; J.J.Bharucha -- Expressive Performance with Electronic Instruments; M.V.Mathews -- PART 6 SPEECH AND MUSIC COMBINED -- Speech and Music Combined: An Overview; J-C.Risset -- Stress Patterns and Rhythm in the Reading of Prose and Poetry with Apologies to Music Performance; G.Fant et al --
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| 505 |
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|a PART 1 DESCRIPTIONS OF MUSIC AND LANGUAGE -- Knowledge of Language and the Sounds of Speech; M.Halle & K.N.Stevens -- Structure and Association in Descriptions of Music, with a Coda on Linguistic Analogies; W.Slawson -- Some Lines of Poetry Viewed as Music; F.Lerdahl & J.Halle -- The Melodic Structures of Music and Speech: Applications and Dimensions of the Implication-Realization Model; E.Narmour -- Magritte, Music and Methods of Language Description; B.Sigurd -- Invariance in the Linguistic Expression, with Digressions into Music; J.Rischel -- Durationally Specified Intonation in English and Bengali; B.Hayes & A.Lahiri -- Summary and Discussion of Descriptions of Music and Language; O.Fujimura -- PART 2 SPEECH AND MUSIC PERFORMANCE -- Speech Research: An Overview; I.Lehiste -- Rhythm, Accentuation and Final Lengthening in French; J.Vaissiere -- Performance Rules in a Text-to-Speech System; R.Carlson & B.Granstrom --
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| 505 |
0 |
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|a The Relationship of Text and Tune in Chinese Opera; B.Yung -- Interrelationships between Verbal and Musical Grammars; M.Baroni -- Speech and Discussion of Speech and Music Combined; J.Rischel -- Comments on the Symposium; J.Rischel -- Summary; J.Sundberg -- List of Sound Examples -- Index
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| 653 |
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|a Human Physiology
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| 653 |
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|a Human physiology
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| 653 |
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|a Music
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| 653 |
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|a Music
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| 700 |
1 |
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|a Nord, Lennart
|e [editor]
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| 700 |
1 |
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|a Ottoson, David
|e [editor]
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| 700 |
1 |
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|a Sundberg, Johan
|e [editor]
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b SBA
|a Springer Book Archives -2004
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| 856 |
4 |
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|u https://doi.org/10.1007/978-1-349-12670-5?nosfx=y
|x Verlag
|3 Volltext
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| 082 |
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|a 612
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| 520 |
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|a Speech/language and music are the two main forms of systematic human communication using acoustic signals. This implies that there are interesting and thought-provoking parallels between these areas, which may contribute towards our understanding of the processing and perception of auditory signals. This book reviews the relevant research fields, and includes speech and music examples on CD to help the reader to appreciate the sound characteristics discussed. Areas covered are: descriptions of music and language; speech and music performance; voice and instruments; cognition and perception; neurophysiology; combining speech and music
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