1 Subjects: “...Reception...”

2 “.... Essays in Part IV address reception studies and consider the ways in which differences are articulated...”

3 Subjects: “...Reception of anitquity...”

4 “..." compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider...”

5

6 Table of Contents: “... of the reception of the Universale Neumenkunde, 1970-2010 -- Forty Years after Constantin Floros' Universale...”

7 Subjects: “...music reception...”

8 Subjects: “...Sophocles' Electra,Livius Andronicus' Aegisthus,Baj,Reception studies,Pirrotta,Aeschylus' Persae...”

9 Subjects: “...reception...”

10 Subjects: “...German reception...”

11 Subjects: “...reception...”

12 Subjects: “...reception studies...”

13 Subjects: “...reception studies...”

14 Subjects: “...Chopin's reception...”

15 Subjects: “...,Reception,Revival,Classic,Interlacing,Grammar,José Manuel Lucía Megías,La Mancha,Error,Hypothetical...”

16 Subjects: “..., performance analysis, discography, phonography, music history, music analysis, musical reception, history...”

17 Subjects: “..., performance analysis, discography, phonography, music history, music analysis, musical reception, history...”

18 Subjects: “...,Testimony literature,Intimism,Selective traditions,Religions,Italian reception of Latin-American music,Lina...”

19 Subjects: “...,Ancient reception,Early Greek hexameter poetry,Civil wars at Rome,Aphrodite,Metric-rhythmic variation...”

20 Subjects: “...,Ineffable language,Financial crisis,Chivalric romance,Metre,Reception theory,Textual bibliography,Golden Age...”