|
|
|
|
| LEADER |
01885nmm a2200385 u 4500 |
| 001 |
EB002207288 |
| 003 |
EBX01000000000000001344489 |
| 005 |
00000000000000.0 |
| 007 |
cr||||||||||||||||||||| |
| 008 |
240503 ||| eng |
| 020 |
|
|
|a 1000914410
|
| 020 |
|
|
|a 9781000914382
|
| 020 |
|
|
|a 1000914380
|
| 020 |
|
|
|a 9781000914412
|
| 050 |
|
4 |
|a TR850
|
| 100 |
1 |
|
|a Bowen, Christopher J.
|
| 245 |
0 |
0 |
|a Grammar of the shot
|
| 250 |
|
|
|a Fifth edition, Christopher J. Bowen
|
| 260 |
|
|
|a London
|b Routledge
|c 2023
|
| 300 |
|
|
|a 308 pages
|b illustrations (black and white)
|
| 653 |
|
|
|a Cinéma / Guides, manuels, etc
|
| 653 |
|
|
|a Cinematography / Handbooks, manuals, etc
|
| 653 |
|
|
|a Cinematography / fast
|
| 700 |
1 |
|
|a Bowen, Christopher J.
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
| 989 |
|
|
|b OREILLY
|a O'Reilly
|
| 500 |
|
|
|a Previous edition: published as by Christopher J. Bowen and Roy Thompson. New York: Focal Press, 2017. - Includes index. - <P>1. The Shots: What, How, and Why? 2. Basic Motion Media Shot Composition 3. Shot Composition for Depth, Perspective, and Focus 4. Lighting Your Shots: Not Just What You See, but How You See It 5. Will It Cut? Shooting for Editing 6. Dynamic Shots: Subjects and Camera in Motion 7. Concluding Thoughts: A Filmmaker's Mindset</P>
|
| 015 |
|
|
|a GBC3B7242
|
| 776 |
|
|
|z 9781000914412
|
| 776 |
|
|
|z 9781032190136
|
| 776 |
|
|
|z 9781000914382
|
| 776 |
|
|
|z 9781032190167
|
| 856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781000914412/?ar
|x Verlag
|3 Volltext
|
| 082 |
0 |
|
|a 777
|
| 520 |
|
|
|a The new edition of Grammar of the Shot teaches readers theoretical principles behind successful visual communication in motion media through discussions of shot composition, depth cues, lens choices, lighting, screen direction, and more. Designed as an easy-to-use reference, this book is a staple of any filmmaker's library
|