Spaces exploring spatial experiences of representation and reception in screen media
Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion a...
| Format: | eBook |
|---|---|
| Language: | English |
| Published: |
[S.l.]
AMSTERDAM UNIVERSITY PRES
2024, 2024
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| Subjects: | |
| Online Access: | |
| Collection: | JSTOR Open Access Books - Collection details see MPG.ReNa |
Table of Contents:
- Cover
- Table of Contents
- Editorial
- Acknowledgments
- 1. Introduction
- Phenomenologies of Screen Space
- Ian Christie
- PART I: Spaces of Spectatorship
- 2. Panoramic Space and the Mesdag Show
- Luke McKernan
- 3. Places of Exhibition
- Mark Cosgrove
- 4. Lockdown as a Mental Space of Communication
- Roger Odin
- PART II: Spaces on Screen
- 5. The Go-Between's Picturesque
- Figure (and Disfigurement) in the Landscape
- Mark Broughton
- 6. Akerman and Domestic Space
- Sarah Leperchey
- 7. Sequence and Simultaneity
- Critiquing English Spaces with a Cine Camera
- Patrick Keiller
- 8. Unhoused
- On the American Spaces of Nomadland
- Ian Christie
- PART III: Spatial Speculations
- 9. Conjuring Spaces on Page and Screen
- A Dialogue
- Isobel Armstrong and Ian Christie
- 10. Fly Me to the Moon ... Extra-Terrestrial Projections in Artists' Film and Video
- Catherine Elwes
- 11. Stereoscopic Space in Cinema
- An Embodied Experience
- Yosr Ben Romdhane
- 12. Of Drones and the Environmental Crisis in the Year 2020
- Teresa Castro
- 13. Afterword
- Beyond the Frame: "Immersion," New Technologies and Old Ambitions
- Ian Christie
- Index of Film and Video Titles
- Index of Names
- Index of Subjects