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03089nma a2200661 u 4500 |
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EBX01000000000000001343708 |
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240502 ||| eng |
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|a 978-3-653-06934-1
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|a 9783631712207
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|a 9783653069341
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|a 9783631712214
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|a 9783631678466
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|a Walter-Mazur, Magdalena
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|a Musical Culture of Polish Benedictine Nuns in the 17th and 18th Centuries
|h Elektronische Ressource
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| 260 |
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|a Bern
|b Peter Lang International Academic Publishers
|c 2018
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| 300 |
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|a 1 electronic resource (332 p.)
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| 653 |
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|a Musical
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|a Polish
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|a thema EDItEUR::A The Arts::AV Music
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| 653 |
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|a Gałecki
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| 653 |
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|a Mazur
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| 653 |
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|a Magdalena
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| 653 |
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|a Polish female cloisters
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| 653 |
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|a Musical manuscripts
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| 653 |
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|a Music in liturgy
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| 653 |
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|a Nuns
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| 653 |
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|a thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music
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| 653 |
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|a Golab
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| 653 |
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|a thema EDItEUR::N History and Archaeology::NH History
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| 653 |
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|a Maciej
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| 653 |
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|a 17th
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| 653 |
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|a Benedictine
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| 653 |
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|a Music in the Catholic church
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| 653 |
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|a Female monasticism
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| 653 |
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|a thema EDItEUR::A The Arts::AV Music::AVM History of music
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| 653 |
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|a Culture
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| 653 |
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|a thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs::QRA Religion: general::QRAX History of religion
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| 653 |
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|a Walter
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| 653 |
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|a Music in monastic events
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| 653 |
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|a Centuries
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|a 18th
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| 653 |
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|a Łukasz
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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|a Eastern European Studies in Musicology
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0
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|a 10.3726/978-3-653-06934-1
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|u https://library.oapen.org/bitstream/20.500.12657/89761/1/9783653069341.pdf
|7 0
|x Verlag
|3 Volltext
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|u https://directory.doabooks.org/handle/20.500.12854/136292
|z DOAB: description of the publication
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|a 900
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|a The study is the first monograph devoted to the musical culture of a female order in Poland. It is a result of in-depth research into musical, narrative, economic, and prosopographic sources surviving in libraries and archives. Focused on the musical practice of nuns, the book also points to the context of spirituality, morality, and culture of the post-Trident era. The author indicates the transformation of the musical activity of the nuns during the 17th and 18th century and discusses its various kinds: plainsong, Latin and Polish polyphonic song, polichoral, keyboard, vocal-instrumental and chamber music. She reflects on the role of music in liturgy and monastic events and in everyday life of cloistered women, describes the recruitment of musically gifted candidates, and the scriptorial activity of nuns.
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