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240502 ||| eng |
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|a 9781040017555
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|a 9781003407645
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|a 9781032526423
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|a 9781040017593
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|a Robenalt, Erica
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|a The Queer Museum
|h Elektronische Ressource
|b Radical Inclusion and Western Museology
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| 260 |
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|a Oxford
|b Taylor & Francis
|c 2024
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| 300 |
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|a 1 electronic resource (264 p.)
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| 653 |
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|a thema EDItEUR::W Lifestyle, Hobbies and Leisure::WT Travel and holiday::WTH Travel and holiday guides::WTHM Travel guides: museums, historic sites, galleries etc
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|a inclusionary museum practice
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|a queer museum
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|a thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
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|a activist museum practice
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|a Inclusion
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| 653 |
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|a Othered communities
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|a thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
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| 653 |
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|a LGBTQ+ communities
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| 653 |
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|a thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies
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|a thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
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|a representation
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|a thema EDItEUR::N History and Archaeology::NH History
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|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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|a 10.4324/9781003407645
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|u https://directory.doabooks.org/handle/20.500.12854/135785
|z DOAB: description of the publication
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|u https://library.oapen.org/bitstream/20.500.12657/88618/1/9781040017555.pdf
|7 0
|x Verlag
|3 Volltext
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|a 900
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|a 000
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|a 300
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|a The Queer Museum examines how relationships between institutions and LGBTQ+ communities function and how they help to define queer museum practice. Analysing what it means to queer the museum in Western contexts, the book builds upon and challenges texts about inclusionary, activist museum practice and discusses the ways in which Othered communities are engaged with and represented. Arguing that an institution's understanding of queerness is directly related to the kind, and extent, of change pursued by the museum, the author clarifies that governance structures, staff hierarchies, funding and relationships to queer communities affect the way queering might be pursued. The analysis looks critically at exhibitions and institutions and particularly forefronts the experiences of museum practitioners. It argues that practical changes that positively affect museums' long-term relationships with marginalised communities are critical. The book also considers the future of the museum by drawing on queer theories of utopia, futurity, failure and amateurism to complicate understandings of the queer museum and its relationship to people and objects. The Queer Museum will be of interest to students and academics in museum and heritage studies, art history and archival studies. It will also be essential reading for museum and arts sector practitioners who seek to do and engage with this kind of work.
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