Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region
Thus, over the years, even the most renowned museum institutions might have - more or less consciously - displayed, hosted or lent cultural objects of illicit origin. Ransacking, thefts, clandestine exports and disputable transactions are crimes that primarily affect countries that are rich in artis...
| Format: | eBook |
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| Language: | English |
| Published: |
Fondazione Università Ca' Foscari
2021
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| Series: | Antichistica
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| Subjects: | |
| Online Access: | |
| Collection: | Directory of Open Access Books - Collection details see MPG.ReNa |
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| 245 | 0 | 0 | |a Stolen Heritage |h Elektronische Ressource |b Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region |
| 260 | |b Fondazione Università Ca' Foscari |c 2021 | ||
| 653 | |a Cyprus,Gianfranco Becchina,Circulation of cultural goods,Cultural heritage,Internal market,Reliefs,Organised Crime,Satellites,Organised crime,Archaeological remote sensing,Syria,Preservation,Cut-off date,Online journalism,Political violence,Feature extraction,Organised cultural property crime,Protection of archaeological heritage,Threat,Directive 2014/60/EU,UNESCO,Pattern recognition,J,German Cultural Property Act,Heritage,Change detection,Art market,Sentinel-2,Conflict antiquities,Cultural property,Social media,Louvre,Staatliche Museen Berlin,Art-crime,Vandalism,Apulian Vases,Trapezophoros,Turkey,Funerary portraits,Iraq,Illicit trade,United Kingdom,European Association of Archaeologists,Information,Giacomo Medici,Resolution,COSMO-SkyMed,Palmyra,Paul Getty,Narcotics trafficking,Brexit,Antiquities trafficking,Google Earth,Looting,Regulation (EU) 2019/880,Unidroit 1995 Convention,Synthetic Aperture Radar,Germany,Cross-media | ||
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| 520 | |a Thus, over the years, even the most renowned museum institutions might have - more or less consciously - displayed, hosted or lent cultural objects of illicit origin. Ransacking, thefts, clandestine exports and disputable transactions are crimes that primarily affect countries that are rich in artistic and archaeological assets, but such activities do not involve just some countries. This is an international border-crossing phenomenon that starts in given countries and expands to many others. Some are briefly passed through while a handful of powerful and rich ones are the actual destination marketplaces. | ||
| 520 | |a This collection is meant as a valuable resource to disseminate new results of the research as well as to facilitate a better understanding of the international legislation related to the protection of Cultural Heritage. | ||
| 520 | |a Drawing from the experience of the conference Stolen Heritage (Venice, December 2019), held in the framework of the H2020 NETCHER (NETwork and digital platform for Cultural Heritage Enhancing and Rebuilding) project, this edited volume focuses on illicit trafficking in cultural property addressing the issue from a multidisciplinary perspective and featuring papers authored by international experts and professionals actively involved in Cultural Heritage protection. The articles included expand on such diverse topics as the European legislation regulating import, export, trade and restitution of cultural objects; 'conflict antiquities' and cultural heritage at risk in the Near and Middle East; looting activities and illicit excavations in Italy; the use of technologies to counter looting practices and the publication of unprovenanced items. | ||
| 520 | |a It is a well-known fact that organised crime has developed into an international network including very diverse actors - ranging from the simple 'grave diggers' to powerful and wealthy white-collar professionals - that adopt illegal practices like money laundering, fraud and forgery. This criminal system, ultimately, damages and disintegrates our cultural identity and, in some cases, fosters political corruption, terrorism or civil unrest through the transnational and illicit trafficking of cultural property. The forms of 'ownership' of Cultural Heritage are often indistinct, and - depending on the national legislation of reference - the proprietorship and trade of historical and artistic assets of value may be legitimate or not. Casual collectors and criminals have always taken advantage from these ambiguities and managed to place on the market items obtained by destruction and looting of museums, monuments and archaeological areas. | ||