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240502 ||| eng |
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|a 9783111326283
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|a 9783111326313
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|a 9783111326306
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|a Škrabal, Ondřej
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| 245 |
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|a Graffiti Scratched, Scrawled, Sprayed
|h Elektronische Ressource
|b Towards a Cross-Cultural Understanding
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| 260 |
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|a Berlin/Boston
|b De Gruyter
|c 2023
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| 300 |
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|a 1 electronic resource (511 p.)
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| 653 |
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|a social history
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| 653 |
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|a thema EDItEUR::6 Style qualifiers::6M Styles (M)::6MB Medieval style
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| 653 |
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|a archaeology
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| 653 |
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|a Sozialgeschichte
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| 653 |
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|a thema EDItEUR::N History and Archaeology::NH History::NHB General and world history
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| 653 |
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|a thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies
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| 653 |
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|a thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
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| 653 |
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|a thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500
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| 653 |
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|a Archäologie
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| 653 |
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|a thema EDItEUR::N History and Archaeology
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| 653 |
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|a Epigraphik
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| 653 |
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|a thema EDItEUR::A The Arts::AF The Arts: art forms::AFJ Other graphic or visual art forms
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| 653 |
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|a thema EDItEUR::1 Place qualifiers::1D Europe
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| 653 |
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|a thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500
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| 653 |
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|a history of writing
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| 653 |
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|a thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
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| 653 |
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|a Epigraphy
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| 653 |
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|a thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
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| 653 |
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|a Geschichte+Schreiben
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| 653 |
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|a thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
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| 700 |
1 |
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|a Mascia, Leah
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| 700 |
1 |
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|a Osthof, Ann Lauren
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| 700 |
1 |
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|a Ratzke, Malena
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 490 |
0 |
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|a Studies in Manuscript Cultures
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| 500 |
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|a Creative Commons (cc), by-nc-nd/4.0, http://creativecommons.org/licenses/by-nc-nd/4.0
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| 028 |
5 |
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|a 10.1515/9783111326306
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| 856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/134722
|z DOAB: description of the publication
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| 856 |
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|u https://library.oapen.org/bitstream/20.500.12657/87881/1/9783111326306.pdf
|7 0
|x Verlag
|3 Volltext
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|a 900
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|a 800
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|a 700
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| 520 |
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|a reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book's fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany. As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective.
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| 520 |
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|a As a whole, the collection provides a comprehensive toolkit for newcomers to the field of graffiti studies and appeals to specialists interested in viewing these materials in a cross-cultural perspective. ; Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day.
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| 520 |
|
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|a Over the last two decades, the study of graffiti has emerged as a bustling field, invigorated by increased appreciation for their historical, linguistic, sociological, and anthropological value and propelled by ambitious documentation projects. The growing understanding of graffiti as a perennial, universal phenomenon is spurring holistic consideration of this mode of graphic expression across time and space. Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding complements recent efforts to showcase the diversity in creation, reception, and curation of graffiti around the globe, throughout history and up to the present day. reflecting on methodology, concepts, and terminology as well as spatial, social, and historical contexts of graffiti, the book's fourteen chapters cover ancient Egypt, Rome, Northern Arabia, Persia, India, and the Maya; medieval Eastern Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania, Brazil, China, and Germany.
|