Corps et capital dans le roman français du XIXe siècle = Körper und Kapital im französischen Roman des 19. Jahrhunderts

Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is...

Full description

Bibliographic Details
Main Author: Borst, Julia
Other Authors: Febel, Gisela
Format: eBook
Published: Berlin Frank & Timme 2023
Series:Literaturwissenschaft
Subjects:
Online Access:
Collection: OAPEN - Collection details see MPG.ReNa
LEADER 02374nma a2200325 u 4500
001 EB002198245
003 EBX01000000000000001335448
005 00000000000000.0
007 cr|||||||||||||||||||||
008 240202 ||| deu
020 |a 20.500.12657/85545 
020 |a 9783732990337 
020 |a 9783732909162 
100 1 |a Borst, Julia 
245 0 0 |a Corps et capital dans le roman français du XIXe siècle = Körper und Kapital im französischen Roman des 19. Jahrhunderts  |h Elektronische Ressource 
260 |a Berlin  |b Frank & Timme  |c 2023 
300 |a 501 p. 
653 |a France; 19th century; dependence; Aesthetics; Women; Money; gender order; Company; Capital; Body; body staging; Les Rougon Macquart; literary studies; Fashion; Romance studies; Balzac; George Sand; Huysmans; Maupassant; Michel; Mirbeau; Virginia Woolf; Zola; Body Studies; Les Rougon-Macquart 
700 1 |a Febel, Gisela 
700 1 |a Borst, Julia 
700 1 |a Febel, Gisela 
041 0 7 |a deu  |2 ISO 639-2 
989 |b OAPEN  |a OAPEN 
490 0 |a Literaturwissenschaft 
500 |a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/ 
028 5 0 |a 10.26530/20.500.12657/85545 
856 4 0 |u https://library.oapen.org/bitstream/id/4a7436e0-f6c5-4717-a84e-5f8f1ac8c692/9783732990320.pdf  |x Verlag  |3 Volltext 
856 4 2 |u https://library.oapen.org/handle/20.500.12657/85545  |z OAPEN Library: description of the publication 
082 0 |a 700 
520 |a Since Pierre Bourdieu, we have known that the body forms incorporated cultural and social capital. It is a commodity and means of production, a sign of belonging to a social class, a place where sex, gender and power relations are negotiated or a pretext for social exclusions and racism. The body is the object of punishments, sanctions and social control, a support for affects, obsessions and illnesses as well as a site of rebellion and resistance. The 19th century novels analyzed in the contributions to this volume tell all this. From the perspective of current body studies, we propose a new reading of the great stories from Balzac to Zola, via Mirbeau, Maupassant, Louise Michel, Georges Sand, Rachilde, Eugène Sue and Huysmans to demonstrate, through their texts, how the Images of the body and the policies of capital are part of the imagination and memory of 19th century French society.