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03244nma a2200589 u 4500 |
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EBX01000000000000001335047 |
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240202 ||| eng |
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|a 9781003855538
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|a 9781032509792
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|a 9781003402688
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|a 9781003855552
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| 100 |
1 |
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|a Andersson Cederholm, Erika
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| 245 |
0 |
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|a Creative Work
|h Elektronische Ressource
|b Conditions, Contexts and Practices
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| 260 |
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|a Oxford
|b Taylor & Francis
|c 2024
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| 300 |
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|a 1 electronic resource (326 p.)
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| 653 |
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|a business
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| 653 |
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|a social innovation
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| 653 |
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|a Sports training and coaching / bicssc
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| 653 |
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|a The arts: general topics / bicssc
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| 653 |
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|a Personnel and human resources management / bicssc
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| 653 |
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|a mental health
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| 653 |
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|a Society and culture: general / bicssc
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| 653 |
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|a public policy
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| 653 |
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|a Sociology: work and labour / bicssc
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| 653 |
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|a social media
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| 653 |
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|a performing arts
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| 653 |
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|a Economics / bicssc
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| 653 |
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|a entrepreneurship
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| 653 |
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|a fashion industry
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| 653 |
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|a publishing
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| 653 |
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|a working spaces
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| 653 |
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|a urban creativity
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| 653 |
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|a Theatre studies / bicssc
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| 700 |
1 |
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|a Lindqvist, Katja
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| 700 |
1 |
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|a de Wit Sandström, Ida
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| 700 |
1 |
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|a Warkander, Philip
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 490 |
0 |
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|a Routledge Research in the Creative and Cultural Industries
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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| 024 |
8 |
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|a 10.4324/9781003402688
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| 856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/133809
|z DOAB: description of the publication
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| 856 |
4 |
0 |
|u https://library.oapen.org/bitstream/20.500.12657/87396/1/9781003855538.pdf
|7 0
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 140
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| 082 |
0 |
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|a 700
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| 082 |
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|a 610
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| 082 |
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|a 300
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|a 330
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| 520 |
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|a How do creative workers work? This book brings together insights from a range of relevant disciplines to help answer this significant research question. Featuring case studies from the European context, contributors tap into the experiences and practices from creative workers, demonstrating their attempts to navigate a changing environment which affects spaces, identities, and professional roles. As cross-disciplinary re-thinking of work, labour processes and management practices in the creative and cultural industries, the book offers perspectives on the importance of highlighting creative work as a phenomenon and practice beyond a particular industry, market, or public sector. Providing an opportunity to expand our conception of what creative work is, the book draws on studies of a range of activities, practices and sectors that are usually included in the cultural and creative industries as well as ones that are more untraditional. The result is a volume that will interest students, practictioners, and scholars with an interest in the creative industries. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
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