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231201 ||| eng |
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|a 978-1-5261-4749-3
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|a PN681
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|a Blurton, Heather
|e [Editor]
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|a Bestsellers and masterpieces
|h Elektronische Ressource
|b the changing medieval canon
|c edited by Heather Blurton and Dwight F. Reynolds
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260 |
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|a Manchester
|b Manchester University Press
|c 2022, ©2022
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|a X, 276 pages
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|a Machine generated contents note: pt. I Hanging by a thread: unique manuscripts and their place in the 'modern' medieval canon -- 1. Contemplating books with Usama ibn Munqidh's Book of Contemplation / Paul M. Cobb -- 2. Dons and dragons: Beowulf and 'popular reading' / Erica Weaver -- 3. Ibn Hazm's Tawq al-hamama (The Neck-Ring of the Dove) / Boris Liebrenz -- 4. 'Thirty pieces of silver': interpreting anti-Jewish imagery in the Poema de mio Cid manuscript / Ryan D. Giles -- 5. 'Let no bad song be sung of us': fame, memory and transmission in/and the Chanson de Roland / Sharon Kinoshita -- pt. II Medieval bestsellers: reading the 'medieval canon'? -- 6. World literature and its discontents: reading the Life of Ahiqar / Daniel L. Selden -- 7. The Alexander Romance in the age of scribal reproduction: the aesthetics and precariousness of a popular text / Shamma Boyarin -- 8. Wisdom literature and medieval bestsellers / Karla Mallette -- 9. Lost worlds: encyclopaedism and riddles in the tale of Tawaddud/Theodor / Christine Chism
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|a Kanon
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|a Geschichte 500-1500
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|a Literatur
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|a Literature, Medieval -- History and criticism
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|a English literature -- Middle English, 1100-1500 -- History and criticism
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653 |
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|a Middle Eastern literature -- History and criticism
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653 |
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|a Best sellers -- History -- To 1500. Best books -- History -- To 1500
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700 |
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|a Reynolds, Dwight Fletcher
|e [Editor]
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041 |
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|a eng
|2 ISO 639-2
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989 |
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|b GRUYMPG
|a DeGruyter MPG Collection
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490 |
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|a Manchester medieval literature and culture
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|a 10.7765/9781526147493
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776 |
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|z 978-1-5261-4748-6
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856 |
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|u https://www.degruyter.com/document/doi/10.7765/9781526147493
|x Verlag
|3 Volltext
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|a 809.02
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520 |
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|a Bestsellers and masterpieces: The changing medieval canon offers a comparative critique of the development of the ‘modern canon’ of medieval literature across European and Middle Eastern medieval studies.
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