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231103 r ||| eng |
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|z 1474425488
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|a 1474425488
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|z 9781474425483
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|a 9781474425483
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|z 9781474440554
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|a 9781474440554
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|a 147444055X
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4 |
|a PN1998.3.S365
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| 100 |
1 |
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|a Wilson, Emma
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| 245 |
0 |
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|a Céline Sciamma
|h Elektronische Ressource
|b portraits
|c Emma Wilson
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| 260 |
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|a Edinburgh
|b Edinburgh University Press
|c 2021, [2021]©2021
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| 300 |
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|a viii, 128 pages
|b illustrations
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| 505 |
0 |
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|a Includes bibliographical references, filmography, and index
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| 653 |
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|a Performing Arts / Film / Direction & Production
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| 653 |
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|a Art and motion pictures
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| 653 |
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|a Feminism and motion pictures
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| 653 |
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|a Sexual minorities in motion pictures
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 490 |
0 |
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|a Visionaries: thinking through female filmmakers
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| 015 |
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|a GBC2L6791
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| 024 |
8 |
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|a 10.1515/9781474445917
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| 776 |
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|z 9781474425506
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| 776 |
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|z 1474445918
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| 776 |
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|z 147442550X
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| 776 |
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|z 9781474445917
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| 856 |
4 |
0 |
|u https://www.jstor.org/stable/10.3366/jj.7358694
|x Verlag
|3 Volltext
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| 082 |
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|a 791.4302/33092
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| 520 |
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|a Céline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d'Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma's films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective
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