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231103 r ||| eng |
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|z 0472034898
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|a 0472034898
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|z 9780472117253
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|a 9780472117253
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|z 9780472034895
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|a 9780472034895
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|z 0472117254
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|a 0472117254
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4 |
|a PS338.N4
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1 |
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|a Wilson, James F.
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|a Bulldaggers, pansies, and chocolate babies
|h Elektronische Ressource
|b performance, race, and sexuality in the Harlem Renaissance
|c James F. Wilson
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| 260 |
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|a Ann Arbor
|b The University of Michigan Press
|c 2010, [2010]
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| 300 |
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|a 1 online resource
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|a Includes bibliographical references and index
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|a Introduction: "It's getting dark on old Broadway" -- "Gimme a pigfoot and a bottle of beer": parties, performances, and privacy in the "other" Harlem Renaissance(s) -- "Harlem on my mind": New York's black belt on the Great White Way -- "That's the kind of gal I am": drag balls, "sexual perversion," and David Belasco's Lulu Belle -- "Hottentot potentates": the potent and hot performances of Florence Mills and Ethel Waters -- "In my well of loneliness": Gladys Bentley's Bulldykin' blues -- Conclusion: "you've seen Harlem at its best."
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| 653 |
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|a African Americans in literature
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| 653 |
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|a SOCIAL SCIENCE / Gay Studies
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| 653 |
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|a Harlem Renaissance
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| 653 |
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|a Sex in the theater
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| 653 |
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|a Race in literature
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| 653 |
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|a DRAMA / American
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|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 490 |
0 |
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|a Triangulations: lesbian/gay/queer theater/drama/performance
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| 856 |
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|u https://www.jstor.org/stable/10.3998/mpub.1175684
|x Verlag
|3 Volltext
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|a 812/.5209896073
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| 520 |
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|a The gay and lesbian presence in black entertainment in Harlem nightclubs, speakeasies, rent parties, and Broadway stages
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