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230918 ||| eng |
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|a 9781009277839
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4 |
|a ML285.4
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| 100 |
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|a Grande, James
|e [editor]
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| 245 |
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|a Sound and sense in British Romanticism
|c edited by James Grande, Carmel Raz
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| 260 |
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|a Cambridge, United Kingdom
|b Cambridge University Press
|c 2023
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| 300 |
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|a xiv, 277 pages
|b digital
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|a Introduction / James Grande and Carmel Raz -- William Hogarth : Looking and Listening for a Painting / Lydia Goehr -- Collecting Ballads, Historicizing Sounds : Appropriating Scottish National Music in the Eighteenth Century / Maria Semi -- Realising The Enraged Musician / Oskar Cox Jensen -- 'A Strange Jingle of Sounds' : Scenes of Aural Recognition in Early Nineteenth-Century English Literature / Josephine McDonagh -- The Sound of News : Affective Rhythm, Rupture, and Nostalgia / William Tullett -- The Resounding Fame of Fingal's Cave / Jonathan Hicks -- Echoing Sounds : What Was Poetry for Gilbert White? / Courtney Weiss Smith -- Mary Somerville's Sound Accomplishments : Scientific Writing and the Sonorous Sublime / Katherine Fry -- Organizing Modernity : Henry Liston's Euharmonic Organ and Natural Tuning in Company India / Daniel Walden -- Stethoscopic Fantasies / Melissa Dickson
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| 653 |
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|a Music / Great Britain / 19th century / History and criticism
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| 653 |
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|a English literature / 19th century / History and criticism
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| 653 |
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|a Romanticism / Great Britain
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| 700 |
1 |
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|a Raz, Carmel
|e [editor]
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b CBO
|a Cambridge Books Online
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| 490 |
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|a Cambridge studies in romanticism
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|a 10.1017/9781009277839
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| 856 |
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|u https://doi.org/10.1017/9781009277839
|x Verlag
|3 Volltext
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|a 780.94109034
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| 520 |
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|a A radical re-imagining of the relationship between sound and sense took place in Britain in the decades around 1800. This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture
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