|
|
|
|
| LEADER |
03559nmm a2200385 u 4500 |
| 001 |
EB002167702 |
| 003 |
EBX01000000000000001305034 |
| 005 |
00000000000000.0 |
| 007 |
cr||||||||||||||||||||| |
| 008 |
230704 ||| eng |
| 020 |
|
|
|a 9789819903498
|
| 100 |
1 |
|
|a Gardetti, Miguel Ángel
|e [editor]
|
| 245 |
0 |
0 |
|a Sustainability Challenges in the Fashion Industry
|h Elektronische Ressource
|b Civilization Crisis, Decolonization, Cultural Legacy, and Transitions
|c edited by Miguel Ángel Gardetti, Rosa Patricia Larios-Francia
|
| 250 |
|
|
|a 1st ed. 2023
|
| 260 |
|
|
|a Singapore
|b Springer Nature Singapore
|c 2023, 2023
|
| 300 |
|
|
|a XII, 313 p. 72 illus., 59 illus. in color
|b online resource
|
| 505 |
0 |
|
|a Introduction -- Retrofitting ETRO: Upholstering the robe’s design tradition through transitional spaces -- A Communal approach to Sustainable Fashion -- Towards an inclusive Fashion System -- Frankie Welch’s “Cherokee Alphabet” Design: Cultural Appreciation or Cultural Appropriation -- Fashion and the ethnography museum - Practices of decoloniality -- Other Voices: Dynamic Tradition, Empowerment and Andean Fashion in Peru -- Cultural & Cultural Appropriation Challenges of Indigenous People in the Global Fashion Industry -- The Anatomy of One Size Fits All -- Conversations on Decoloniality and Fashion: Speaking, Listening and Collectively (Un)Learning -- Fashion and identity in virtual spaces -- Interventions in traditional clothing systems through anthropological perspective -- Foregrounding the Value of Traitional Indian Crafts: Voices from the Fringe -- Change, imitation and cosmotechnics: fashion and its political possibilities -- Telling the Indigenous Ghanaian Fashion Cosmovision: The Case of Royal Ahenema Sandals -- Artisans, Creativity, and Ethics: “Skill Regimes” in a Mumbai Fashion Export House -- The Fashion Crossroad Method: Political and Epistemological Practices
|
| 653 |
|
|
|a Fashion and the Body
|
| 653 |
|
|
|a Building materials
|
| 653 |
|
|
|a Wood, fabric, and textiles
|
| 653 |
|
|
|a Economic geography
|
| 653 |
|
|
|a Economic Geography
|
| 653 |
|
|
|a Cultural property
|
| 653 |
|
|
|a Clothing and dress / Social aspects
|
| 653 |
|
|
|a Cultural Heritage
|
| 653 |
|
|
|a Sustainability
|
| 653 |
|
|
|a Human body in popular culture
|
| 700 |
1 |
|
|a Larios-Francia, Rosa Patricia
|e [editor]
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
| 989 |
|
|
|b Springer
|a Springer eBooks 2005-
|
| 490 |
0 |
|
|a Sustainable Textiles: Production, Processing, Manufacturing & Chemistry
|
| 028 |
5 |
0 |
|a 10.1007/978-981-99-0349-8
|
| 856 |
4 |
0 |
|u https://doi.org/10.1007/978-981-99-0349-8?nosfx=y
|x Verlag
|3 Volltext
|
| 082 |
0 |
|
|a 304.2
|
| 520 |
|
|
|a Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said: "Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?" This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions
|