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|a On making in the digital humanities
|h Elektronische Ressource
|b the scholarship of digital humanities development in honour of John Bradley
|c edited by Julianne Nyhan, Geoffrey Rockwell, Stéfan Sinclair and Alexandra Ortolja-Baird
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| 260 |
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|a London
|b UCL Press
|c 2023, 2023
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| 300 |
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|a xii, 295 pages
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|a Includes bibliographical references and index
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|a 1 Four corners of the big tent: A personal journey through the digital humanities -- Part I, Making Projects. 2 Prosopography meets the digital: PBW and PASE ; 3 Braving the new world: REED at the digital crossroads ; 4 Sustainability and modelling at King's Digital Lab: between tradition and innovation ; 5 The People of Medieval Scotland database as history -- Part II, People Making. 6 The history of the 'techie' in the history of digital humanities ; 7 Imagining and designing digital humanities jobs ; 8 The Politics of Digital Repatriation and its Relationship to Rongowhakaata Cultural Data Sovereignty -- Part III, Making Praxis. 9 Towards an operational approach to computational text analysis ; 10 From TACT to CATMA, or, a mindful approach to text annotation and analysis ; 11 Pursuing a combinatorial habit of mind and machine ; 12 Historians, texts and factoids -- Part IV, In Memoriam. 13 If Voyant then Spyral: Remembering Stéfan Sinclair: A discourse on practice in the digital humanities
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|a Digital humanities
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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|u https://www.jstor.org/stable/10.2307/j.ctv2wk727j
|x Verlag
|3 Volltext
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|a 001.30285
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| 520 |
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|a On Making in the Digital Humanities fills a gap in our understanding of digital humanities projects and craft by exploring the processes of making as much as the products that arise from it. The volume draws focus to the interwoven layers of human and technological textures that constitute digital humanities scholarship. To do this, it assembles a group of well-known, experienced and emerging scholars in the digital humanities to reflect on various forms of making (we privilege here the creative and applied side of the digital humanities). The volume honours the work of John Bradley, as it is totemic of a practice of making that is deeply informed by critical perspectives. A special chapter also honours the profound contributions that this volume's co-editor, Stéfan Sinclair, made to the creative, applied and intellectual praxis of making and the digital humanities. Stéfan Sinclair passed away on 6 August 2020. The chapters gathered here are individually important, but together provide a very human view on what it is to do the digital humanities, in the past, present and future. This book will accordingly be of interest to researchers, teachers and students of the digital humanities; creative humanities, including maker spaces and culture; information studies; the history of computing and technology; and the history of science and the humanities
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