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230515 ||| eng |
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|a 9783837665161
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|a 9783839465165
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|a Schmidt, Markus
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|a Grain & Noise - Artists in Synthetic Biology Labs
|h Elektronische Ressource
|b Constructive Disturbances of Art in Science
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| 260 |
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|a Bielefeld
|b transcript Verlag
|c 2023
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| 300 |
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|a 1 electronic resource (200 p.)
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|a thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
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|a Culture
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|a Ecology
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| 653 |
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|a Residency
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| 653 |
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|a Design
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|a Technology
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|a Theory of Art
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|a Art
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|a Art-Science
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|a Fine Arts
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|a Synthetic Biology
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|a Life Sciences
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|a thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
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|a Media Art
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|a Schmidt, Markus
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|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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|a Image
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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|a 10.14361/9783839465165
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|u https://directory.doabooks.org/handle/20.500.12854/99107
|z DOAB: description of the publication
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|u https://library.oapen.org/bitstream/20.500.12657/62278/1/9783839465165.pdf
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|x Verlag
|3 Volltext
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|a The collaboration between scientists and artists in the form of Artist-in-Lab residencies may not only cause a productive disturbance for a day's work in the laboratory, but also reveal new ways of understanding. Research and science communication company Biofaction has brought together artists and synthetic biologists throughout Europe in a residence program that spans four truly cross-disciplinary collaborations. The contributors to this volume share their reflections of the dynamic frictions that occurred when their artistic and scientific worlds met. These stories, where chemistry labs, tobacco plants, genetically edited bacteria, and new-to-nature enzymes collide with music, photography, film, and visual arts, infuse the ongoing dialogue between art and sciences with grain, noise, and synergies.
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