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02942nma a2200481 u 4500 |
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EBX01000000000000001296818 |
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00000000000000.0 |
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230515 ||| eng |
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|a 9781501387296
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| 100 |
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|a Rogers, Holly
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| 245 |
0 |
0 |
|a YouTube and Music
|h Elektronische Ressource
|b Online Culture and Everyday Life
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| 260 |
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|a New York
|b Bloomsbury Academic
|c 2023
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| 300 |
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|a 1 electronic resource (328 p.)
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| 653 |
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|a audiovisual studies
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| 653 |
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|a thema EDItEUR::U Computing and Information Technology::UD Digital Lifestyle and online world: consumer and user guides
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| 653 |
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|a digital music
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| 653 |
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|a sonic cyberculture
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| 653 |
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|a thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
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| 653 |
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|a thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry
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| 653 |
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|a cyberculture
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| 653 |
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|a music circulation
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| 653 |
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|a music consumerism
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| 653 |
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|a internet music
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| 653 |
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|a thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction
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| 700 |
1 |
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|a Freitas, Joana
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| 700 |
1 |
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|a Porfírio, João Francisco
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| 700 |
1 |
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|a Rogers, Holly
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 490 |
0 |
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|a New Approaches to Sound, Music, and Media
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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| 856 |
4 |
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|u https://library.oapen.org/bitstream/20.500.12657/61935/2/9781501387289.epub
|7 0
|x Verlag
|3 Volltext
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| 856 |
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|u https://directory.doabooks.org/handle/20.500.12854/98527
|z DOAB: description of the publication
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|a 000
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|a 380
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|a 700
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|a 600
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| 082 |
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|a 300
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|a 330
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|a 780
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|a YouTube has afforded new ways of documenting, performing and circulating musical creativity. This first open access sustained exploration of YouTube and music shows how record companies, musicians and amateur users have embraced YouTube's potential to promote artists, stage performances, build artistic (cyber)identity, initiate interactive composition, refresh music pedagogy, perform fandom, influence musical tourism and soundtrack our everyday lives. Speaking from a variety of perspectives, musicologists, film scholars, philosophers, new media theorists, cultural geographers and psychologists use case studies to situate YouTube as a vital component of contemporary musical culture. This book works together with its companion text Remediating Sound: Repeatable Culture, YouTube and Music. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.
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