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230222 ||| eng |
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|a 978-3-8394-6114-3
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|a N66
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|a Schmidt-Wulffen, Stephan
|e [Editor]
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|a The object as a process
|h Elektronische Ressource
|b essays situating artistic practice
|c Stephan Schmidt-Wulffen, German A. Duarte (eds.)
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| 260 |
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|a Bielefeld
|b transcript Verlag
|c 2022, ©2023
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| 300 |
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|a 263 Seiten
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|a Speaking of Things - An Introduction -- The Autonomous Aesthetic of Allure: Mary Bauermeister's Needless Needles and Graham Harman's Object Philosophy -- Graham Harman's art‐object philosophy and Needless Needles -- Mary Bauermeister's Needless Needles in the mirror of OOO -- Object aesthetics of Needless Needles -- Simply things -- Things and objects -- Instruments and Devices -- Poiesis and Technology -- Gifts and Sacrifices -- Works of Art -- Ephemerality and Resistance -- Conclusions -- On Poetry -- Origins and Ends: Understanding the Medium of Painting According to Heidegger's Truth -- 1. Originating Origins -- 2. Forestalling Ends -- 3. Caesura: The End of the End-Painting in the Contracted Field -- Object as Symbol: Baudrillard's Thanatopoietic Form -- Prelude: On the Paradoxical Logic of Life -- Baudrillard's Thanatopoietic Form -- Framing Symbolic Exchange -- Symbolic Exchange at Work -- A Lost Object: Death -- Pre‐Capitalist Death -- The Death Drive: Freud Bataille -- Discrete Death: Serres' Quasi‐Object -- Discreet Death: On the Natural and the Safe -- Salute to Life: Reversibility and Artistic Practice -- Co‑Production: Towards a Relational Ontology of Aesthetic Objects -- Beyond Hylomorphism: The Relationality of Becoming Plural -- Inscriptions: Co‑Production and the Dephasing of the Filmic Art Object -- Resume: Artistic Practice as Trans‐Individual Becoming -- Correspondences: Exploring the Echoes of Jack Spicer's Poetics in the Paintings of Matt Connors -- The Object of Non‐Aesthetics -- Non‐Standard Philosophy in Brief -- Precedents -- Invariance -- Matrix -- Solid Gifts -- Massimo Bartolini's Untitled Untitled (2001) -- (Praeludium) Massimo Bartolini's Untitled Untitled -- A New Nature of Space -- The Method of postulation - The object of the system -- Figuring the topologic condition.
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|a Kunstwerk
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|a Philosophie
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|a Ästhetik
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|a Kulturtheorie
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| 653 |
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|a Art—Philosophy
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| 653 |
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|a Object (Aesthetics)
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| 653 |
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|a Knowledge, Theory of, in art
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| 700 |
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|a Duarte, German A.
|e [Editor]
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b GRUYMPG
|a DeGruyter MPG Collection
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| 490 |
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|a Culture & Theory [Edition Kulturwissenschaft]
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| 028 |
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|a 10.1515/9783839461143
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|z 978-3-8376-6114-9
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|u https://www.degruyter.com/document/doi/10.1515/9783839461143
|x Verlag
|3 Volltext
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|a 701
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|a How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object - broadly construed, comprising digital and other non-classical objects - becomes an active element in artistic practice.
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