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230202 ||| eng |
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|a 9783110769050
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|a 9783110769012
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|a 9783110768985
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|a Carter, Erica
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| 245 |
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|a Mapping the Sensible
|h Elektronische Ressource
|b Distribution, Inscription, Cinematic Thinking
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| 260 |
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|a Berlin/Boston
|b De Gruyter
|c 2022
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| 300 |
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|a 1 electronic resource (157 p.)
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| 653 |
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|a Mapping postcolonialism
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| 653 |
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|a embodied mobilities
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| 653 |
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|a cinematic experience
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| 653 |
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|a Films, cinema / bicssc
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| 700 |
1 |
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|a Rositzka, Eileen
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| 700 |
1 |
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|a Malcomess, Bettina
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 490 |
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|a Cinepoetics Essay
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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| 028 |
5 |
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|a 10.1515/9783110769012
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| 856 |
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|u https://library.oapen.org/bitstream/20.500.12657/61129/1/9783110769012.pdf
|7 0
|x Verlag
|3 Volltext
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| 856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/96526
|z DOAB: description of the publication
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| 520 |
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|a Mapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a 'distribution of the sensible' (Carter) and a mode of culturally and historically located cinematic thinking (Rositzka).
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