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230202 ||| deu |
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|a 9783110767483
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|a 9783110763799
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|a 9783110767513
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100 |
1 |
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|a Jaszoltowski, Saskia
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245 |
0 |
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|a Erinnerungsorte in der Musik
|h Elektronische Ressource
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260 |
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|a Berlin/Boston
|b De Gruyter
|c 2022
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300 |
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|a 1 electronic resource (314 p.)
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653 |
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|a Literary studies: general / bicssc
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653 |
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|a Music / bicssc
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653 |
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|a history of music
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653 |
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|a Cultural memory
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653 |
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|a culture of remembrance
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653 |
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|a media studies
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653 |
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|a Memory / bicssc
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041 |
0 |
7 |
|a deu
|2 ISO 639-2
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989 |
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|b DOAB
|a Directory of Open Access Books
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500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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028 |
5 |
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|a 10.1515/9783110767483
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856 |
4 |
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|u https://library.oapen.org/bitstream/20.500.12657/61085/1/9783110767483.pdf
|7 0
|x Verlag
|3 Volltext
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856 |
4 |
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|u https://directory.doabooks.org/handle/20.500.12854/96525
|z DOAB: description of the publication
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|a 900
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|a 780
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|a Why do we remember certain music from the past and attribute meaning to it, while other protagonists from the history of music slip into obscurity? Armed with this question, the author embarks upon a journey to sites of memory in music, visiting Beethoven's Ninth Symphony, the Rock and Roll Hall of Fame, Mozart and Graz, the genre of hip hop, the philharmonic and the Jewish Museum in Berlin.
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