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230202 ||| eng |
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|a 9783036559926
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|a books978-3-0365-5991-9
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|a 9783036559919
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| 100 |
1 |
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|a Sidorova, Elena
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| 245 |
0 |
0 |
|a Global Art Market in the Aftermath of COVID-19
|h Elektronische Ressource
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| 260 |
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|a Basel
|b MDPI - Multidisciplinary Digital Publishing Institute
|c 2022
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| 300 |
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|a 1 electronic resource (214 p.)
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| 653 |
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|a art and technology
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| 653 |
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|a gallerists
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| 653 |
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|a contemporary art market
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| 653 |
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|a COVID-19 pandemic
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| 653 |
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|a sociology of art
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| 653 |
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|a Social and cultural anthropology / bicssc
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| 653 |
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|a Brazil
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| 653 |
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|a feminism
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| 653 |
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|a Patachitra
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| 653 |
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|a external shocks in the art markets
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| 653 |
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|a value
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| 653 |
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|a Alserkal Avenue
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| 653 |
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|a hub cities
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| 653 |
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|a valuation studies
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| 653 |
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|a coronavirus
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| 653 |
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|a precarity
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| 653 |
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|a United Arab Emirates (UAE)
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| 653 |
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|a Millennials
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| 653 |
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|a online art market
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| 653 |
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|a pandemic
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| 653 |
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|a primary art market
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| 653 |
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|a NFT
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| 653 |
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|a ethnography
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| 653 |
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|a digital technology
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| 653 |
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|a Australian art market
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| 653 |
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|a live auctions
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| 653 |
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|a networks
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| 653 |
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|a singing pictures
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| 653 |
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|a Art Dubai
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| 653 |
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|a art and politics
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| 653 |
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|a Social and ethical issues / bicssc
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| 653 |
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|a social media
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| 653 |
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|a 2016 crisis
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| 653 |
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|a folk art
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| 653 |
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|a precariat
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| 653 |
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|a cultural industries
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| 653 |
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|a art exhibitions
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| 653 |
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|a storytelling
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| 653 |
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|a scrolls
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| 653 |
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|a post-COVID-19 art market
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| 653 |
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|a business model innovation
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| 653 |
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|a art economics
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| 653 |
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|a Gen Z
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| 653 |
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|a COVID-19
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| 653 |
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|a female artists
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| 653 |
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|a precariousness
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| 653 |
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|a art market
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| 653 |
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|a online auctions
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| 653 |
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|a expertise
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| 653 |
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|a Abu Dhabi Art
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| 653 |
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|a 2008-2009 financial crisis
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| 653 |
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|a History / bicssc
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| 653 |
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|a crypto-currency
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| 653 |
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|a multi-channel strategy
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| 653 |
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|a art galleries
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| 653 |
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|a COVID-19 crisis
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| 653 |
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|a Sotheby's Dubai
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| 653 |
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|a digitalization
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| 653 |
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|a Patuas
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| 653 |
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|a gatekeeper
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| 653 |
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|a virtual exhibitions
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| 653 |
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|a TikTok
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| 653 |
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|a Asian art market
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| 653 |
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|a contemporary art
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| 653 |
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|a public auction
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| 653 |
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|a auction house
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| 653 |
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|a hybridization
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| 653 |
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|a inter-connected Asia
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| 653 |
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|a emerging art market
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| 653 |
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|a Portugal
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| 653 |
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|a editorial
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| 653 |
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|a online only auctions
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| 653 |
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|a forecasts
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| 653 |
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|a COVID
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| 653 |
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|a Spain
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| 653 |
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|a living heritage
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| 653 |
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|a artists
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| 653 |
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|a non-fungible token
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| 653 |
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|a artworks
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| 653 |
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|a visual arts
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| 700 |
1 |
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|a Sidorova, Elena
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by/4.0/
|
| 024 |
8 |
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|a 10.3390/books978-3-0365-5991-9
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| 856 |
4 |
0 |
|u https://www.mdpi.com/books/pdfview/book/6407
|7 0
|x Verlag
|3 Volltext
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| 856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/94571
|z DOAB: description of the publication
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|a 900
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|a 301
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|a 320
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|a 330
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|a Although the global art market has often been resilient to international economic and political events, it has recently faced some of its biggest challenges under the influence of COVID-19. Among others, the pandemic and the accompanying restrictive administrative measures taken by world governments have significantly influenced such key economic indicators as gallery employment, art sales, and the organization of international art fairs. The Special Issue "Global Art Market in the Aftermath of COVID-19" studies various economic, social, and political impacts of the COVID-19 pandemic on the global art market's current state and future evolution.
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