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221110 r ||| eng |
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|a 0520384520
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4 |
|a PN1995.9.D67
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| 100 |
1 |
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|a Ma, Jean
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| 245 |
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|a At the edges of sleep
|h Elektronische Ressource
|b moving images and somnolent spectators
|c Jean Ma
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| 260 |
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|a Oakland, California
|b University of California Press
|c [2022]©2022, 2022
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| 300 |
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|a xii, 265 pages
|b illustrations (some color)
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| 505 |
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|a Includes bibliographical references (pages 211-258) and index
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| 505 |
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|a Apichatpong Weerasethakul and the turn to sleep -- Sleep must be protected -- Into the dark -- Exiting and entering early cinema -- Somnolent journeys -- Insentient intimacies -- The regressive thesis -- Narcotic reception -- A little history of sleeping at the movies -- Zoning out -- Circadian cinemas
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| 653 |
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|a Art and motion pictures
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| 653 |
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|a Motion picture audiences
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| 653 |
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|a PERFORMING ARTS / Film & Video / History & Criticism
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| 653 |
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|a Dreams in motion pictures
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 776 |
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|z 9780520384521
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| 856 |
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|u https://www.jstor.org/stable/10.2307/j.ctv2rh2cjz
|x Verlag
|3 Volltext
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| 082 |
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|a 791.43/653
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| 520 |
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|a "Many recent works of contemporary art, performance, and film turn a spotlight on sleep, wresting it from the hidden, private spaces to which it is commonly relegated. At the Edges of Sleep considers sleep in film and moving image art as both a subject matter to explore onscreen and a state to induce in the audience"--
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