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01805nam a2200301 u 4500 |
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EB002133498 |
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EBX01000000000000001271555 |
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00000000000000.0 |
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221110 r ||| eng |
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|a 9781922064578
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|a 1922064580
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|a 1922064572
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|a PN56.H55
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|a Matthews, Amy T.
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|a Navigating the kingdom of night
|h Elektronische Ressource
|c Amy T Matthews
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| 260 |
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|a Adelaide, South Australia
|b The University of Adelaide, University of Adelaide Press
|c [2013], 2013
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| 300 |
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|a 160 pages
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| 505 |
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|a Includes bibliographical references (pages 153-160)
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| 653 |
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|a Literary Criticism / Subjects & Themes / Historical Events
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| 653 |
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|a Holocaust, Jewish (1939-1945), in literature
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| 653 |
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|a World War, 1939-1945 / Literature and the war
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|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 776 |
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|z 9781922064585
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| 856 |
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|u https://www.jstor.org/stable/10.20851/j.ctt1sq5wms
|x Verlag
|3 Volltext
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|a 809.93358405318
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| 520 |
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|a In 2011, Amy T Matthews published End of the Night Girl with Wakefield Press, a novel which engages creatively with questions of identity politics and the ethics of fictionalising the Holocaust. In Navigating the Kingdom of Night, Matthews contextualises End of the Night Girl in terms of the critical debate surrounding Holocaust fiction. Navigating the Kingdom of Night analyses various literary strategies adopted by authors of Holocaust fiction, including the non-realist narrative techniques used by authors such as Yaffa Eliach, Jonathan Safran Foer and John Boyne and the self-reflexivity of Art Spiegelman. Matthews frames the discussion by self-examining her experience as an author of a Holocaust fiction
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