|
|
|
|
LEADER |
02407nma a2200493 u 4500 |
001 |
EB002132156 |
003 |
EBX01000000000000001270213 |
005 |
00000000000000.0 |
007 |
cr||||||||||||||||||||| |
008 |
221110 ||| eng |
020 |
|
|
|a 9783631821237
|
020 |
|
|
|a b17833
|
020 |
|
|
|a 9783631841600
|
020 |
|
|
|a 9783631841594
|
020 |
|
|
|a 9783631841402
|
100 |
1 |
|
|a Ziemba, Antoni
|
245 |
0 |
0 |
|a The Agency of Art Objects in Northern Europe, 1380-1520
|h Elektronische Ressource
|
260 |
|
|
|a Bern
|b Peter Lang International Academic Publishing Group
|c 2021
|
300 |
|
|
|a 1 electronic resource (1032 p.)
|
653 |
|
|
|a Europie
|
653 |
|
|
|a German Sculpture
|
653 |
|
|
|a History / bicssc
|
653 |
|
|
|a Agency
|
653 |
|
|
|a 1380-1520
|
653 |
|
|
|a Polnocnej
|
653 |
|
|
|a Northern
|
653 |
|
|
|a Medieval Printmaking
|
653 |
|
|
|a Ziemba
|
653 |
|
|
|a Middle Ages
|
653 |
|
|
|a Objects
|
653 |
|
|
|a Medieval Bookmaking
|
653 |
|
|
|a Sztuki
|
653 |
|
|
|a Europe
|
653 |
|
|
|a Objekty
|
653 |
|
|
|a Netherlandish Painting
|
653 |
|
|
|a medieval tapestries
|
041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
989 |
|
|
|b DOAB
|a Directory of Open Access Books
|
500 |
|
|
|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0
|
024 |
8 |
|
|a 10.3726/b17833
|
856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/93290
|z DOAB: description of the publication
|
856 |
4 |
0 |
|u https://library.oapen.org/bitstream/20.500.12657/59062/1/9783631841402.pdf
|7 0
|x Verlag
|3 Volltext
|
082 |
0 |
|
|a 900
|
520 |
|
|
|a This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific - material and spatial - way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of "returning to things" (B. Latour, A. Gell and others), the author searches for the "agency of things" in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States.
|