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|a 9783110738032
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|a 9783110720921
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| 100 |
1 |
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|a Batista, Anamarija
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| 245 |
0 |
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|a Notions of Temporalities in Artistic Practice
|h Elektronische Ressource
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| 260 |
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|a Berlin/Boston
|b De Gruyter
|c 2022
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| 300 |
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|a 1 electronic resource (172 p.)
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| 653 |
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|a film studies
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| 653 |
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|a video art
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| 653 |
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|a time and temporality
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| 653 |
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|a architecture
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| 653 |
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|a contemporary art
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| 653 |
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|a The arts: general issues / bicssc
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| 653 |
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|a Central and Eastern Europe
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| 653 |
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|a Theory of art / bicssc
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| 653 |
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|a Art & design styles: from c 1960 / bicssc
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| 700 |
1 |
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|a Batista, Anamarija
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by/4.0/
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| 028 |
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|a 10.1515/9783110720921
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| 856 |
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|u https://directory.doabooks.org/handle/20.500.12854/91531
|z DOAB: description of the publication
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| 856 |
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|u https://doi.org/10.1515/9783110720921
|7 0
|x Verlag
|3 Volltext
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| 082 |
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|a 720
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|a 700
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|a 791.4
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|a This volume focuses on the ideas of temporality in artistic practices. The analysis and reflection of various approaches enable the reader to delve into situation-specific settings and to contextualize and examine the question of how temporality initiates action and structures of perception, weaves itself into these structures, and thereby affects our bodies, our senses, our communication and shapes our presence.
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