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|a 9783031181955
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|a Woronkowicz, Joanna
|e [editor]
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|a Arts, Entrepreneurship, and Innovation
|h Elektronische Ressource
|c edited by Joanna Woronkowicz
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|a 1st ed. 2022
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|a Cham
|b Springer Nature Switzerland
|c 2022, 2022
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|a VI, 222 p. 31 illus
|b online resource
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|a Arts, Entrepreneurship, and Innovation -- Who is an artist? Heterogeneity and professionalism among visual artists -- What Makes an Artrepreneur? -- Flocking to the crowd: Cultural entrepreneur mobility guided by homophily, market size, or amenities? -- Economies of scope in artists’ incubator projects -- Direct memberships in foreign copyright collecting societies as an entrepreneurial opportunity for music publishers – needs, challenges, opportunities and solutions -- Do museums foster innovation through engagement with the cultural and creative industries? -- Innovation and diversity in the digital cultural and creative industries -- Diana S. Greenwald: Painting by numbers—data-driven histories of nineteenth-century art, Princeton University Press, 2021 -- List of Reviewers
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|a Business ethics
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|a Technological innovations
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|a Business Ethics
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|a Economics of Innovation
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|a Culture / Study and teaching
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|a Theory of Arts
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|a Art / Philosophy
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|a Cultural Studies
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|a eng
|2 ISO 639-2
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|b Springer
|a Springer eBooks 2005-
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|a 10.1007/978-3-031-18195-5
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|u https://doi.org/10.1007/978-3-031-18195-5?nosfx=y
|x Verlag
|3 Volltext
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|a 700.1
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|a This book is the third publication out of the Arts, Entrepreneurship, and Innovation (AEI) Lab that focuses exclusively on research that empirically investigates crossovers between arts, entrepreneurship and innovation. This volume does so specifically by using the lens of cultural economics. The chapters in this volume have been chosen not only because they have clear implications for policy and practice, but also because they contribute to theories of value creation in the cultural and creative industries. As a whole, this book addresses relationships between arts, entrepreneurship and innovation for workers, firms, and industry to bring clarity to how value is created in the arts. Previously published in Journal of Cultural Economics Volume 45, issue 4, December 2021 Chapters “Direct Memberships in Foreign Copyright Collecting Societies as an Entrepreneurial Opportunity for Music Publishers – Needs, Challenges, Opportunities and Solutions” and “Do MuseumsFoster Innovation Through Engagement with the Cultural and Creative Industries?” are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com
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