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220922 ||| eng |
| 020 |
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|a 9780262331913
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|a 9780262331906
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|a 026233190X
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|a 0262331918
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4 |
|a N7433.84.E85
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| 100 |
1 |
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|a Medosch, Armin
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| 245 |
0 |
0 |
|a New tendencies
|h Elektronische Ressource
|b art at the threshold of the information revolution (1961-1978)
|c Armin Medosch
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| 260 |
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|a Cambridge, Massachusetts
|b The MIT Press
|c 2016
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| 300 |
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|a x, 395 pages
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| 610 |
1 |
4 |
|a Nouvelle tendance (Exhibition)
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| 653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/New Media Art
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| 653 |
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|a Information theory in aesthetics
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| 653 |
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|a ARTS/Art History/Contemporary Art
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| 653 |
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|a SOCIAL SCIENCES/Media Studies
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| 653 |
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|a Art and society / Europe / History / 20th century
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| 653 |
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|a Art and technology / Europe / History / 20th century
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b MITArchiv
|a MIT Press eBook Archive
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| 490 |
0 |
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|a Leonardo
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| 028 |
5 |
0 |
|a 10.7551/mitpress/10338.001.0001
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| 856 |
4 |
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|u https://doi.org/10.7551/mitpress/10338.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 701/.03
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| 520 |
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|a An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics
|