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220922 ||| eng |
020 |
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|a 9780262324090
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020 |
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|a 9781306876223
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|a 0262324091
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|a 0262324083
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020 |
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|a 9780262324083
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020 |
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|a 1306876222
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050 |
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4 |
|a NX456.5.N49
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100 |
1 |
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|a Rinehart, Richard
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245 |
0 |
0 |
|a Re-collection
|h Elektronische Ressource
|b art, new media, and social memory
|c Richard Rinehart and Jon Ippolito
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260 |
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|a Cambridge, Massachusetts
|b The MIT Press
|c 2014
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300 |
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|a xii, 297 pages
|b illustrations
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653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/New Media Art
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653 |
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|a ARTS/Art History/Contemporary Art
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653 |
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|a New media art / Conservation and restoration
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653 |
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|a SOCIAL SCIENCES/Media Studies
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700 |
1 |
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|a Ippolito, Jon
|e author
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041 |
0 |
7 |
|a eng
|2 ISO 639-2
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989 |
|
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|b MITArchiv
|a MIT Press eBook Archive
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490 |
0 |
|
|a Leonardo
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028 |
5 |
0 |
|a 10.7551/mitpress/7975.001.0001
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776 |
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|z 0262027003
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776 |
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|z 9780262027007
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856 |
4 |
0 |
|u https://doi.org/10.7551/mitpress/7975.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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082 |
0 |
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|a 776.028/8
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520 |
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|a The first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory
|