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220922 ||| eng |
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|a 0262335549
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|a 9780262335546
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4 |
|a N72.T4
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1 |
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|a Hinterwaldner, Inge
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|a Systemische Bild
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|a The systemic image
|h Elektronische Ressource
|b a new theory of interactive real-time simulations
|c Inge Hinterwaldner ; translated by Elizabeth Tucker
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| 260 |
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|a London
|b The MIT Press
|c 2017
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| 300 |
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|a viii, 384 pages
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| 653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/General
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| 653 |
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|a Visualization
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| 653 |
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|a Art and technology
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| 653 |
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|a Art / Computer simulation
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| 653 |
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|a ARTS/Art History/Contemporary Art
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| 653 |
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|a COMPUTER SCIENCE/Human Computer Interaction
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| 653 |
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|a Science / Computer simulation
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| 653 |
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|a Simulation methods
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| 653 |
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|a Interactive multimedia
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| 700 |
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|a Tucker, Elizabeth
|e translator
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|a Hinterwaldner, Inge
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|a eng
|2 ISO 639-2
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| 989 |
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|b MITArchiv
|a MIT Press eBook Archive
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|a 10.7551/mitpress/9780262035040.001.0001
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| 776 |
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|z 9780262035040
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| 776 |
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|z 0262035049
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|u https://doi.org/10.7551/mitpress/9780262035040.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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|a 700/.41
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| 520 |
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|a In media art history as well as in science studies an intensified reception of cybernetic and system-theoretical concepts can be seen in the last few years. In this work, a conceptualization of the relationship between the systemic and the iconic in interactive real-time simulations is proposed
|