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220922 ||| eng |
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|a 0262305259
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|a 9780262305259
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|a NX180.T4
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|a Ekman, Ulrik
|e editor
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|a Throughout
|h Elektronische Ressource
|b art and culture emerging with ubiquitous computing
|c edited by Ulrik Ekman
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|a Cambridge
|b The MIT Press
|c 2013
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300 |
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|a 664 pages
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653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/General
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|a Information technology / Social aspects
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653 |
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|a SOCIAL SCIENCES/Media Studies
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653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/New Media Theory
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653 |
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|a Technology and the arts
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653 |
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|a Ubiquitous computing / Social aspects
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653 |
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|a Computers and civilization
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|a eng
|2 ISO 639-2
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|b MITArchiv
|a MIT Press eBook Archive
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|a The MIT Press
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|a 10.7551/mitpress/8437.001.0001
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|u https://doi.org/10.7551/mitpress/8437.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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|a 303.48/34
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|a Leading media scholars consider the social and cultural changes that come with the contemporary development of ubiquitous computing. Ubiquitous computing and our cultural life promise to become completely interwoven: technical currents feed into our screen culture of digital television, video, home computers, movies, and high-resolution advertising displays. Technology has become at once larger and smaller, mobile and ambient. In Throughout , leading writers on new media -- including Jay David Bolter, Mark Hansen, N. Katherine Hayles, and Lev Manovich -- take on the crucial challenges that ubiquitous and pervasive computing pose for cultural theory and criticism. The thirty-four contributing researchers consider the visual sense and sensations of living with a ubicomp culture; electronic sounds from the uncanny to the unremarkable; the effects of ubicomp on communication, including mobility, transmateriality, and infinite availability; general trends and concrete specificities of interaction designs; the affectivity in ubicomp experiences, including performances; context awareness; and claims on the real in the use of such terms as augmented reality and mixed reality
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