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220922 ||| eng |
| 020 |
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|a 9780262277914
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| 020 |
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|a 9781435600256
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| 020 |
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|a 0262277913
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| 020 |
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|a 1435600258
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| 050 |
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4 |
|a ML1380
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| 100 |
1 |
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|a Landy, Leigh
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| 245 |
0 |
0 |
|a Understanding the art of sound organization
|h Elektronische Ressource
|c Leigh Landy
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| 260 |
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|a Cambridge, Mass.
|b MIT Press
|c 2007
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| 300 |
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|a xiii, 303 pages
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| 653 |
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|a CULTURAL STUDIES/General
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| 653 |
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|a ARTS/Music & Sound Studies
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| 653 |
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|a Computer music / History and criticism
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| 653 |
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|a COMPUTER SCIENCE/Computer Music
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| 653 |
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|a Electro-acoustics
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| 653 |
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|a Electronic music / History and criticism
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
|
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|b MITArchiv
|a MIT Press eBook Archive
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| 028 |
5 |
0 |
|a 10.7551/mitpress/7472.001.0001
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| 776 |
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|z 9780262122924
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| 776 |
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|z 0262122928
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| 856 |
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0 |
|u https://doi.org/10.7551/mitpress/7472.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 786.7/11
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| 520 |
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|a The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations
|