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220825 ||| eng |
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|a P3.0049.1.00
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|a 9780615877488
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| 100 |
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|a Trettien, Whitney Anne
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| 245 |
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|a Gaffe/Stutter
|h Elektronische Ressource
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| 260 |
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|a Brooklyn, NY
|b punctum books
|c 2013
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| 300 |
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|a 90 p.
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| 653 |
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|a Gilles Deleuze
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| 653 |
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|a experimental writing
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|a Western philosophy from c 1800
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| 653 |
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|a Felix Guattari
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b OAPEN
|a OAPEN
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-sa/3.0/
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| 024 |
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|a 10.21983/P3.0049.1.00
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| 856 |
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|u https://library.oapen.org/bitstream/id/d1b229af-3842-4a37-8de3-6c8e876fbdb1/1004527.pdf
|x Verlag
|3 Volltext
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| 856 |
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|u http://library.oapen.org/handle/20.500.12657/25568
|z OAPEN Library: description of the publication
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|a 100
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| 520 |
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|a Gaffe/Stutter is a dead letter to Deleuze’s Logic of Sense. It began as a series of diagrams, two-dimensional memory palaces that sketch the vectors of each chapter’s paradox; it became an elaborate plan for a web-based diagrammatic (r)e(n)dition of Logic of Sense, built on zoomable, annotatable high-resolution scans of these diagrams. Conceived as an anti-book — a visual reading schematic — this project eschews the line of text in favor of regimented grids, the ink-soaked grain of the remediated pen over the laser-burned face of print; playful reaction rather than academic protraction. This is not an analogy, or a product of the imagination, Gilles Deleuze and Felix Guattari would write in A Thousand Plateaus, but a composition of speeds and affects on the plane of consistency: a plan(e), a program, or rather a diagram, a problem, a question-machine. It ended as a directory of inert jQuery demos and digital scans: an image of Trafalgar Square at dusk, annotated with the words “Flag,” “Small people on the steps,” “A Statue,” and “National Gallery Dome”; an empty html file titled ‘delete.html’. The visitor who may happen to wander onto the website where these project demos are stashed would find herself stuck on Deleuze’s definition of a paradox as initially that which destroys good sense as the only direction of becoming, but also that which destroys common sense as the assignation of fixed identities. From a series of diagrams to a dead-end digital directory, Gaffe/Stutter re-interprets a book that itself resists scholarly annotation. As with sense, it subsists in language; but it happens to things.
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