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|a b11211
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|a 9781787073944
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|a Soboleva, Olga
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|a From Orientalism to Cultural Capital
|h Elektronische Ressource
|b The Myth of Russia in British Literature of the 1920s
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260 |
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|b Peter Lang International Academic Publishers
|c 2017
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653 |
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|a Modernism
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653 |
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|a London
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653 |
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|a John Galsworthy
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653 |
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|a Fyodor Dostoevsky
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653 |
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|a Russophilia
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653 |
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|a Leo Tolstoy
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653 |
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|a Anglo-Russian connections
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|a Ivan Turgenev
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|a Literature
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|a Virginia Woolf
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653 |
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|a Literary studies: c 1900 to c 2000
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653 |
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|a British literature
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700 |
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|a Wrenn, Angus
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|a eng
|2 ISO 639-2
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|b OAPEN
|a OAPEN
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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|a 10.3726/b11211
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856 |
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|u http://library.oapen.org/handle/20.500.12657/31404
|z OAPEN Library: description of the publication
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|u https://library.oapen.org/bitstream/id/d5a76a76-51a9-4b2f-bd7a-6638c5ad506d/628404.pdf
|x Verlag
|3 Volltext
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|a 800
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|a From Orientalism to Cultural Capital presents a fascinating account of the wave of Russophilia that pervaded British literary culture in the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from the social sciences: Orientalism and the notion of «cultural capital» associated with Pierre Bourdieu. Examining the responses of leading literary practitioners who had a significant impact on the institutional transmission of Russian culture, they reassess the mechanics of cultural dialogism, mediation and exchange, casting new light on British perceptions of modernism as a transcultural artistic movement and the ways in which the literary interaction with the myth of Russia shaped and intensified these cultural views.
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