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01915nma a2200277 u 4500 |
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220825 ||| ita |
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|a 9788892734760
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|a 9788866555100
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|a 9788866555094
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|a 978-88-6655-510-0
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|a Terigi, Elisabetta
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| 245 |
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|a Yvan Goll ed il crollo del mito d'Europa
|h Elektronische Ressource
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| 260 |
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|a Florence
|b Firenze University Press
|c 2013
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| 300 |
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|a 244 p.
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| 041 |
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|a ita
|2 ISO 639-2
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| 989 |
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|b OAPEN
|a OAPEN
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| 490 |
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|a Premio Ricerca «Città di Firenze»
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/3.0/
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| 024 |
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|a 10.36253/978-88-6655-510-0
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| 856 |
4 |
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|u https://library.oapen.org/bitstream/id/f8111c12-84f5-4238-bebb-493369cddbd5/9788866555100.pdf
|x Verlag
|3 Volltext
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| 856 |
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|u https://library.oapen.org/handle/20.500.12657/55073
|z OAPEN Library: description of the publication
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| 520 |
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|a The objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation).
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