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220825 ||| eng |
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|a 9781557536471
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|a Tompkins, David G.
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|a Composing the Party Line
|h Elektronische Ressource
|b Music and Politics in Early Cold War Poland and East Germany
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260 |
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|a West Lafayette
|b Purdue University Press
|c 2013
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|a Music
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|a Socialist Unity Party of Germany
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|a Polish United Workers' Party
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|a Soviet Union
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|a Socialist realism
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|a Poland
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|a East Germany
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|a Regional
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|a Musicology
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|a eng
|2 ISO 639-2
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|b OAPEN
|a OAPEN
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc/4.0/legalcode
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|u http://library.oapen.org/handle/20.500.12657/30146
|z OAPEN Library: description of the publication
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|u https://library.oapen.org/bitstream/id/0d347ce6-ffb7-46fc-bb5d-4c399ff7f48d/649954.pdf
|x Verlag
|3 Volltext
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|a 320
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|a 700
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|a 780
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|a Examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. A comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin's death in 1953, concluding with the slow process of de-Stalinization in the mid-to-late 1990s. This book examines the exercise of power in the Stalinist music world as well as the ways in which composers and ordinary people responded to it. It presents a comparative inquiry into the relationship between music and politics in the German Democratic Republic and Poland from the aftermath of World War II through Stalin’s death in 1953, concluding with the slow process of de-Stalinization in the mid- to late-1950s.
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