| Summary: | Works that can be performed both individually and simultaneously create opportunities to rethink the "work". Because the monologically closed structure of the individual work is opened up and contextualized by another work. Why shouldn't musical works also be able to relate , which she lets sound at the same time? And what could such a relationship be like compositionally? In the last 70 years, many well-known composers such as Darius Milhaud, Chaya Czernowin, Adriana Hölszky, Julio Estrada or Klaus Huber have implemented the concept of comparative contemporaneity With many different examples and artistic reflections, the poly work is presented in detail for the first time in this book
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