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220823 r ||| eng |
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|z 9781787357372
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|a 9781787357372
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|a 9781787357372
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|a 1787357406
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|a 1787357384
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|a 1787357376
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|a B1574.B34
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|a Julius, Anthony
|e [editor]
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|a Bentham and the arts
|h Elektronische Ressource
|c edited by Anthony Julius, Malcolm Quinn and Philip Schofield
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|a London
|b UCL Press
|c 2020, 2020©2020
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|a 1 online resource
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|a Includes bibliographical references and index
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|a 6. 'Is it true? ... what is the meaning of it?': Bentham, Romanticism and the fictions of reason -- 7. More Bentham, less Mill -- Part III. Aesthetics, taste and art -- 8. Enlightenment unrefined: Bentham's realism and the analysis of beauty -- 9. Jeremy Bentham's principle of utility and taste: An alternative approach to aesthetics in two stages -- 10. From pain to pleasure: Panopticon dreams and Pentagon Petal -- 11. Bentham's image: The corpo-reality check -- Index
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|a Intro -- Title Page -- Copyright Page -- Contents -- List of contributors -- List of figures -- Acknowledgements -- Introduction -- Part I. Philosophy and sexuality -- 1. The Epicurean universe of Jeremy Bentham: Taste, beauty and reality -- 2. Not Kant, but Bentham: On taste -- 3. 'Envy accompanied with antipathy': Bentham on the psychology of sexual ressentiment -- Part II. Intellectual history and literature -- 4. Literature, morals and utility: Bentham, Dumont and de Staël -- 5. Jeremy Bentham's imagination and the ethics of prose style: Paraphrase, substitution, translation
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|a Bentham, Jeremy / 1748-1832 / fast
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|a Bentham, Jeremy / 1748-1832
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|a Great Britain / fast
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|a PHILOSOPHY / Ethics & Moral Philosophy
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|a Aesthetics, Modern / 19th century
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|a Utilitarismus
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| 653 |
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|a Ästhetik
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1 |
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|a Quinn, Malcolm
|e [editor]
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| 700 |
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|a Schofield, Philip
|e [editor]
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 015 |
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|a GBC055763
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| 776 |
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|z 1787357368
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| 776 |
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|z 9781787357365
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| 776 |
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|z 9781787357402
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| 776 |
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|z 9781787357396
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| 776 |
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|z 1787357392
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| 856 |
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|u https://www.jstor.org/stable/10.2307/j.ctv13xprgq
|x Verlag
|3 Volltext
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|a 192
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|a Bentham and the Arts considers the sceptical challenge presented by Jeremy Bentham's hedonistic utilitarianism to the existence of the aesthetic. Leading scholars from a variety of disciplines reflect on the implications of Bentham's radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally
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