Christian Metz and the codes of cinema film semiology and beyond
A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in univ...
| Other Authors: | , |
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| Format: | eBook |
| Language: | English |
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Amsterdam
Amsterdam University Press
2018, [2018]©2018
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| Series: | Film theory in media history
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| Subjects: | |
| Online Access: | |
| Collection: | JSTOR Open Access Books - Collection details see MPG.ReNa |
Table of Contents:
- 'I Never Expected Semiology to Thrill the Masses': Interview with Christian Metz Postscript 'Conclusion' (handwritten note by Christian Metz) Summaries List of Contributors List of Translators
- Yes, the Image Lies Beyond Analogy: Understanding Metz with Cartier-Bresson Mary Ann Doane
- The Cinematic Signifier and the Imaginary D.N. Rodowick
- Fetishism and Skepticism, or the Two Worlds of Christian Metz and Stanley Cavell IV. Narration, Enunciation, Cinephilia Anne Goliot-Lété
- Cinema: Image or Narrative Dana Polan
- Semiotics, Science, and Cinephilia: Christian Metz's last book, L'énonciation impersonnelle Alain Boillat
- 'ŸTheorizeŒ, he says... ': Christian Metz and the Question of Enunciation: A Theory in (Speech) Acts Dominique Bluher
- Personal Enunciation: Presences of Absences Nico Baumbach
- Metz With Deleuze: From Film-Philosophy to Film Theory and Back Again Two Interviews with Christian Metz Elena Dagrada
- Thirty Years After Elena Dagrada & Guglielmo Pescatore
- The Semiology of Cinema? It Is Necessary to Continue! A Conversation with Christian Metz Margrit Tröhler
- Flashback to Winter 1990 Dominique Blüher & Margrit Tröhler
- Includes bibliographical references and indexes
- Acknowledgments & Editorial Note Margrit Tröhler
- Christian Metz and Film Semiology
- Dynamics within and on the Edges of the 'Model': An Introduction I. Metz and the Tradition of Film Theory Raymond Bellour
- Two Ways of Thinking Michel Marie
- Christian Metz and His Theoretical Legacy Roger Odin
- Christian Metz for Today Frank Kessler
- Thinking Cinema: Christian Metz and/in the Tradition of Film Theory Guido Kirsten
- Barthes' Early Film Semiology and the Legacy of Filmology in Metz II. Questions of Form and Aesthetics Martin Lefebvre
- Christian Metz and Aesthetics Francesco Casetti
- Christian Metz and the Modern Cinema André Gaudreault & Philippe Gauthier
- Christian Metz, Editing, and Forms of Alternation III. Specificities of the Cinematic Code and the Imaginary Philip Rosen
- Between Classical and Postclassical Film Theory: Metz on Specificity Then and Now Selim Krichane
- Cyber-Metz? The Notion of Code in the Writings of Christian Metz Marc Vernet