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|a 978-3-96317-808-5
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|a 9783963172687
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|a Dörre, Robert
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|a Mediale Entwürfe des Selbst
|h Elektronische Ressource
|b Audiovisuelle Selbstdokumentation als Phänomen und Praktik der sozialen Medien
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| 260 |
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|b Büchner-Verlag
|c 2022
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| 300 |
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|a 1 electronic resource (491 p.)
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| 653 |
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|a Communication studies / bicssc
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| 653 |
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|a Entertainment & media law / bicssc
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| 653 |
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|a Media studies / bicssc
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| 653 |
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|a social media; self-staging; YouTube; TikTok; Instagram; Snapchat; Twitch; gender; digital lifestyle
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| 041 |
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|a deu
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc/4.0/
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| 024 |
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|a 10.14631/978-3-96317-808-5
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|u https://directory.doabooks.org/handle/20.500.12854/81478
|z DOAB: description of the publication
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|u https://library.oapen.org/bitstream/20.500.12657/54231/1/9783963178085_oa.pdf
|7 0
|x Verlag
|3 Volltext
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|a 380
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|a 340
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|a In recent years, new forms of public self-documentation have become popular on social media platforms and especially through so-called influencers, forming their own media cultural microcosm. Even though YouTube has become emblematic of this cultural technique, media self-documentations are also formative for other services such as Instagram, TikTok, or Snapchat. Robert Dörre understands the emergence of these self-designs as an aesthetic practice and traces the media-historical shifts that public self-documentation has experienced on the Internet. In order to make these specific aesthetics, rituals, motifs, and economies accessible to media cultural studies, the work approaches the phenomenon from five perspectives: The reception as authentic self, the self as part of social media, the self as brand, the serial self, and the self as amateur and artist.
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