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220822 ||| eng |
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|a 9783110786279
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|a 9783110785784
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1 |
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|a Mauas, Lea
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| 245 |
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|a Possession and Dispossession
|h Elektronische Ressource
|b Performing Jewish Ethnography in Jerusalem
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| 260 |
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|a Berlin/Boston
|b De Gruyter
|c 2022
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| 300 |
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|a 1 electronic resource (312 p.)
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| 653 |
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|a Conservation, restoration and care of artworks / bicssc
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| 653 |
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|a Relating to Jewish people and groups / bicssc
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| 653 |
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|a Jerusalem.
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| 653 |
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|a Later 20th century c 1950 to c 1999 / bicssc
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| 653 |
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|a Social groups: religious groups and communities / bicssc
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| 653 |
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|a Israel
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| 653 |
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|a Jewish Ethnography
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| 653 |
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|a History of art / bicssc
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| 653 |
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|a Contemporary Art
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| 700 |
1 |
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|a MacQueen, Michelle
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| 700 |
1 |
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|a Rotman, Diego
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| 700 |
1 |
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|a Mauas, Lea
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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|a 10.1515/9783110786279
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|u https://doi.org/10.1515/9783110786279
|7 0
|x Verlag
|3 Volltext
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|u https://directory.doabooks.org/handle/20.500.12854/81263
|z DOAB: description of the publication
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|a 900
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|a 200
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|a 700
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|a When different types of knowledge and practice meet, they enrich each other. This book reflects on this meeting of divergent processes in Jerusalem. The contributions attempt to challenge the apparent division between contemporary art and ethnography, between tradition, preservation and representation, in an approach the editors call "contemporary ethnography," where the borders between ethnography and contemporary art are blurred.
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