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220822 ||| fra |
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|a 9783110436846;9783110434453
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| 100 |
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|a Langone, Angela Daiana
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| 245 |
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|a Molière et le théâtre arabe
|h Elektronische Ressource
|b Réception moliéresque et identités nationales arabes
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| 260 |
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|a Berlin/Boston
|b De Gruyter
|c 2016
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| 653 |
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|a arabic world
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| 653 |
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|a arab theater
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| 653 |
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|a Molière
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| 653 |
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|a Plays, playscripts / bicssc
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| 653 |
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|a Modern Languages and Linguistics
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| 700 |
1 |
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|a Ette, Ottmar
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| 700 |
1 |
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|a Ette, Ottmar
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| 041 |
0 |
7 |
|a fra
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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| 856 |
4 |
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|u https://library.oapen.org/bitstream/20.500.12657/25225/1/1004869.pdf
|7 0
|x Verlag
|3 Volltext
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| 856 |
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|u https://directory.doabooks.org/handle/20.500.12854/38441
|z DOAB: description of the publication
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| 082 |
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|a 400
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| 082 |
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|a 700
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| 082 |
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|a 410
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| 520 |
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|a Molière, often considered the 'godfather of Arab theatre', was first introduced to the Arab world in 1847 by Marun Naqqaš and his adaptation of The Miser. Since then, Molière has never ceased to influence Arab dramaturgy. Discussing a series of plays by authors from Lebanon, Egypt, Tunisia and Morocco, this study aims at defining Molière's role in the development of a national Arab theatre.
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