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|a 9789612546991
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|a Čeferin, Petra
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|a Tektonika v arhitekturi
|h Elektronische Ressource
|b Frampton - Semper - Bötticher
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|a Ljubljana
|b ZRC SAZU, Založba ZRC
|c 2014
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|a 1 electronic resource (132 p.)
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|a tectonics
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|a teorija
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|a architecture
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|a tektonika
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|a architectural constructions
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|a arhitektonske konstrukcije
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|a theory
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|a Theory of architecture / bicssc
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|a arhitektura
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|a Čeferin, Petra
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|a slv
|2 ISO 639-2
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|b DOAB
|a Directory of Open Access Books
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|a Teoretska praksa arhitekture
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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|a 10.3986/9789612546991
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|u https://omp.zrc-sazu.si/zalozba/catalog/view/1197/5068/1369-1
|7 0
|x Verlag
|3 Volltext
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|u https://directory.doabooks.org/handle/20.500.12854/80397
|z DOAB: description of the publication
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|a 720
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|a Skupno stališče v knjigi zbranih treh besedil je, da je arhitektura veščina v starogrškem pomenu besede poiesis, izdelovanja, in sicer izdelovanja materialnih objektov. To veščino opredeljujejo s terminom tektonika. Osrednje besedilo knjige je esej arhitekturnega teoretika Kennetha Framptona, s katerim odgovarja na problem, da se danes zapira možnost za delovanje arhitekture kot kreativne miselne prakse. Njegova teza je, da moramo, če nočemo privoliti v to, da postane arhitektura le velikanska tržna dobrina, vztrajati pri tem, kar je specifično arhitekturni način izdelovanja objektov. To pa je po Framptonu konstruiranje in sicer tektonsko konstruiranje. Ohranitev arhitekture zahteva danes vrnitev k tektoniki. Vrnitev k tektoniki pa je poudarek materialnega temelja arhitekture. Frampton se pri zarisu te teze opira na delo Karla Bötticherja in Gottfrieda Semperja, dveh nemških arhitektov iz 19. stoletja, ki veljata za utemeljitelja pojma tektonike v modernem pomenu besede. V knjigi so objavljeni odlomki iz njunih študij: predgovor in del uvoda v Bötticherjevo temeljno delo Tektonika Grkov in V. poglavje slavne Semperjeve študije Štirje elementi arhitekture.
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|a The three texts collected in this book ('Tectonics in Architecture') maintain the common view of architecture as craft, in the ancient Greek sense of poiesis, as an act of making, the making of material objects. This craft is assigned the term tectonics. The central text of the book is the essay written by the architectural theoretician Kenneth Frampton, in which he responds to the burning problem of architecture: the closing of the possibilities for architecture to work as a creative, thinking practice. His thesis maintains that in order to resist this process of turning architecture into but a giant commodity, an insistence on a specifically architectural way of making of objects is necessary. And according to Frampton, this specific architectural way of making is what we would call construction, that is, tectonic construction. In order to preserve architecture, a return to tectonics is needed. And a return to tectonics is an emphasis on the material base or ground of architecture. In developing this thesis Frampton follows the work of two German architects of the 19th century, Karl Bötticher and Gottfried Semper, who first elaborated the term tectonic in the modern sense. This book includes parts of their respective studies: the preface and part of the introduction of Bötticher's seminal work The Tectonic of the Hellenes, and the fifth chapter of the Semper's celebrated work The Four Elements of Architecture.
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