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|a 978-1-61451-375-9
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|a PL6515
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|a Meyer, David
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|a Early Tahitian Poetics
|h Elektronische Ressource
|c by David Meyer
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|a Boston ; Berlin
|b De Gruyter Mouton
|c 2013, ©2013
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|a XV, 446 pages
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|a Thesis (Ph.D.) - University of Edinburgh
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|a Intro -- Acknowledgements -- Contents -- Tables and figures -- Chapter 1. Introduction -- Chapter 2. Meter -- Chapter 3. Sound Parallelism -- Chapter 4. Syntactic and semantic parallelism -- Chapter 5. Manner of composition -- Chapter 6. Summary and interpretation -- Chapter 7. Conclusion -- Appendix A. List of grammatical abbreviations -- Appendix B. The pattern detection process -- Appendix C. Automated method for pre- and post-1850 assignment -- References -- Index.
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|a Tahitian language
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|a Folk poetry
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|a Language and culture--French Polynesia
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|a eng
|2 ISO 639-2
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|b GRUYMPG
|a DeGruyter MPG Collection
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|a Pacific Linguistics
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|a 10.1515/9781614513759
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|z 978-1-61451-525-8
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|u https://www.degruyter.com/document/doi/10.1515/9781614513759
|x Verlag
|3 Volltext
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|a 400
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|a 499
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|a 800
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|a Tahiti has a rich history of oral tradition. Early visitors to the island transcribed recitations of myth, battle address, and land description. Until now their poetic organization has remained unexplored. From a computationally assisted analysis, this book describes early use of meter and parallelism and speculates on manner of composition. It sheds light on a poetic style unanticipated for Polynesia and remarkable among world poetries.
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