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210512 ||| deu |
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|a 9783110639445
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|a Wrobel, Jasmin
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|a Topografien des 20. Jahrhunderts
|h Elektronische Ressource
|b Die memoriale Poetik des Stolperns in Haroldo de Campos' «Galáxias»
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260 |
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|a Berlin/Boston
|b De Gruyter
|c 2020
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300 |
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|a 1 electronic resource (409 p.)
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653 |
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|a Pound, Ezra
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653 |
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|a Literary studies: c 1900 to c 2000 / bicssc
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653 |
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|a concrete poetry
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653 |
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|a memorial poetry
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653 |
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|a Campos, Haroldo de
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653 |
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|a Literature: history and criticism / bicssc
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653 |
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|a Poetry / bicssc
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|a deu
|2 ISO 639-2
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989 |
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|b DOAB
|a Directory of Open Access Books
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|a MIMESIS
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|a Creative Commons (cc), https://creativecommons.org/licenses/by/4.0
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|a 10.1515/9783110639445
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856 |
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|u https://directory.doabooks.org/handle/20.500.12854/63664
|z DOAB: description of the publication
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|u https://library.oapen.org/bitstream/20.500.12657/46652/1/9783110639445.pdf
|7 0
|x Verlag
|3 Volltext
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|a 900
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|a 800
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|a The polyphonic world poem Galáxias (1984) by Brazilian poet Haroldo de Campos has, to date, mainly been discussed in the broader context of concrete poetry and the Latin American neo-baroque. This book offers a completely new reading of the work as a poetic testimony to a century of catastrophes: references to traumatic historical events are embedded as 'stumbling blocks' in the text, guiding the reader towards a 'Poetics of Stumbling'.
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