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210512 ||| eng |
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|a Isabella Guanzini
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|a Reality and Paternity in the Cinema of the Dardennes
|h Elektronische Ressource
|b Journal for Religion, Film and Media
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| 260 |
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|b Schüren Verlag
|c 2016
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| 300 |
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|a 1 electronic resource (15-32 p.)
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|a eng
|2 ISO 639-2
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| 989 |
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|b DOAB
|a Directory of Open Access Books
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|a Journal for Religion, Film and Media
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-sa/4.0/
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|t In Search of the Human. The Work of the Dardenne Brothers
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| 856 |
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|u https://directory.doabooks.org/handle/20.500.12854/63491
|z DOAB: description of the publication
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|u https://jrfm.eu/index.php/ojs_jrfm/article/view/38
|7 0
|x Verlag
|3 Volltext
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|a The Dardennes' filmic production aims at restoring the missing link between human beings and the world that have been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete belief in the world, focusing on the theme of body and paternity, in the epoch of their evaporation. In order to rethink the paternal function in a post-political and post-ideological age, however, the Dardennes have had to radically come to terms with its ambiguity and oscillation between abandon and adoption, self-preservation and transmission, forgiveness and revenge. With regard to this ambivalence, this contribution focuses on The Promise and The Son, which represent significant descriptions of what (the body of) a father is capable of, suggesting, at the same time, interruption and filiation as possible experiences for a new beginning.
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