|
|
|
|
| LEADER |
03550nmm a2200529 u 4500 |
| 001 |
EB001953658 |
| 003 |
EBX01000000000000001116560 |
| 005 |
00000000000000.0 |
| 007 |
cr||||||||||||||||||||| |
| 008 |
210123 ||| eng |
| 020 |
|
|
|a 1136058850
|
| 020 |
|
|
|a 0240825225
|
| 020 |
|
|
|a 9781136058868
|
| 020 |
|
|
|a 9781136058851
|
| 020 |
|
|
|a 9780240825229
|
| 050 |
|
4 |
|a PN1992.94
|
| 100 |
1 |
|
|a Braverman, Barry
|
| 245 |
0 |
0 |
|a Video shooter
|b mastering storytelling techniques
|c Barry Braverman
|
| 250 |
|
|
|a [Third edition]
|
| 260 |
|
|
|a Burlington, MA
|b Focal Press
|c 2014
|
| 300 |
|
|
|a xiii, 329 pages
|
| 505 |
0 |
|
|a Includes bibliographical references and index
|
| 505 |
0 |
|
|a 1. The shooter's point of view -- 2. Let me tell you a story -- 3. The video storyteller -- 4. The storyteller's box -- 5. The DSLR story -- 6. Your window on the world -- 7. The 3D shooter -- 8. Story command and control -- 9. Tweaking your story's look -- 10. Making light of your story -- 11. Supporting your story -- 12. Listening to your story -- 13. Going with the flow -- Afterword: There is no best button
|
| 653 |
|
|
|a TECHNOLOGY & ENGINEERING / Telecommunications / bisacsh
|
| 653 |
|
|
|a BUSINESS & ECONOMICS / Industries / Media & Communications / bisacsh
|
| 653 |
|
|
|a Video recordings / Production and direction / fast
|
| 653 |
|
|
|a PERFORMING ARTS / Film & Video / Direction & Production / bisacsh
|
| 653 |
|
|
|a Digital cinematography / http://id.loc.gov/authorities/subjects/sh2001001797
|
| 653 |
|
|
|a Vidéo / Production et réalisation
|
| 653 |
|
|
|a Cinéma numérique
|
| 653 |
|
|
|a Digital cinematography / fast
|
| 653 |
|
|
|a Video recordings / Production and direction / http://id.loc.gov/authorities/subjects/sh85143206
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
| 989 |
|
|
|b OREILLY
|a O'Reilly
|
| 776 |
|
|
|z 0240825179
|
| 776 |
|
|
|z 9781136058851
|
| 776 |
|
|
|z 9780240825175
|
| 776 |
|
|
|z 1136058850
|
| 776 |
|
|
|z 9780240825229
|
| 776 |
|
|
|z 0240825225
|
| 856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780240825175/?ar
|x Verlag
|3 Volltext
|
| 082 |
0 |
|
|a 384
|
| 082 |
0 |
|
|a 777
|
| 082 |
0 |
|
|a 384.55/8
|
| 082 |
0 |
|
|a 620
|
| 082 |
0 |
|
|a 330
|
| 520 |
|
|
|a "Tired of the all the digital filmmaking guidebooks that give you only the nuts and bolts of how to use a camera? The third edition of Video Shooter takes the how-to knowledge a step further by showing you how to craft a story in your video. Barry Braverman is an experienced shooter and filmmaker whose is highly regarded in the field. This book covers everything from framing a shot, to lighting, to the type of camera (and tripod) you should use, and perhaps most importantly--how to translate the use of all the equipment and techniques into a story. The author is a veteran cinematic storyteller, and he shares practiced film-style techniques for use on your own DV cam. Humorous and opinionated, the author provides anecdotes and full-color illustrations that help you to learn the tricks of the trade. He gets right to the point of what you need to know to get good shots-and on a budget. New to this edition: * more up-to-date techniques involving HD technology* more coverage on the multi-skillset required of today's filmmakers (who are asked to act simultaneously as Director, Director of Photography, Cinematographer, Sound Recordists, etc.)*Website including craft tips, equipment review/blogs, and a teacher's corner to support use of the book in film studies/digital media class (includes student work completed in class using the text)"--
|