Video field production and editing

Video Field Production and Editing concentrates on video techniques and technology appropriate for "small scale" single-camera electronic field production (EFP) and electronic news gathering (ENG). This book offers the latest material on new digital field recording and editing technologies...

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Bibliographic Details
Main Author: Compesi, Ronald J.
Format: eBook
Language:English
Published: Abingdon, Oxon Routledge 2016
Edition:Seventh edition
Subjects:
Online Access:
Collection: O'Reilly - Collection details see MPG.ReNa
Table of Contents:
  • Includes bibliographical references and index
  • Videotape Recording FormatsCompatibility; Types of Videocassette Recorders; Videotape; Tapeless Video Recording Devices; Signal Processing; Chapter 6 Lenses and Visualization; Part One Lenses; Lenses: Functions and Types; Zoom Lens Components; Zoom Lens Operation; Aperture Control and Depth of Field; Part Two Visualization and Composition; Aesthetics of Visual Composition; Camera Movement; Shooting to Edit; Subject-Camera Relationships; On-Site Interview Setup; Chapter 7 Lighting; Part One Physical Factors of Lighting; Basic Lighting Concepts; Lighting Equipment: Types of Lamps
  • Electronic Image ReproductionHow the Video Camera Makes a Picture-Analog and Digital Standards; Video Signal Control; The Color Signal; Camera Performance Characteristics; Camera Configurations; Camera Viewfinder Systems; Color Plates; Insert Follows; Chapter 4 Operating the Video Camcorder; The Basic System; Common Camcorder Camera Section Controls; VCR Section Controls and Inputs/Outputs; Power and Videotape; Camcorder System Setup; Audio and Video Connectors; Monitoring the Recording; Camera-Mounting Equipment; Carrying the Equipment; Chapter 5 Video Recording; Videotape Recording
  • Cover; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Chapter 1 Introduction; In the Field with Evening Magazine; The Evolution of Video Production Technology; Production Uses of Portable Video Equipment; Camera Equipment Quality and Target Markets; Video as a Medium of Communication; Principal Elements Involved in Video Production; Chapter 2 Preproduction and Production Planning; Stages and Types of Production; Preproduction Planning; Production Planning; Copyright and Distribution; Chapter 3 Video Basics: The Electronic Image and the Video Signal
  • Adding Sound to Prerecorded VideotapeAdditional Sound Recording and Playback Devices; Part Two Sound Aesthetics; Types of Sound; Sound Perspective and Sound Presence; Constructing the Audio Portion of a Program; The Visual Impact of Microphones; Chapter 9 Editing Aesthetics; Role of the Editor; Types of Editing; Continuity Editing; Dynamic Editing; Transitions and Effects; Sound in Editing; "Don't Worry, We'll Fix it in Post"; Editing Voice-Driven Pieces; Storytelling; Chapter 10 Getting Ready to Edit: Working with SMPTE Time Code and Postproduction Planning; SMPTE Time Code
  • Portable Lighting InstrumentsPower Requirements; Controlling the Intensity of Light; Other Equipment; Lighting Safety; Part Two Aesthetic Factors; Modeling; Three-Point Lighting; Lighting Problems; Chapter 8 Sound; Part One Technical Factors; Sound: Technical Bases; Microphone Characteristics; Camera-Mounted Microphones; External Microphones; Wired and Wireless Microphones; Recording Sound on a Camcorder; Mixers; Standardized Recording Procedures; Monitoring Sound; Hints for Recording Good Sound; Special Problems; Equalizing and Filtering to Improve Sound Quality